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It is 2014. I am sitting on the floor, sewing a D-ring to a hat so I can hang it from a carabiner on my purse. Ethereal music fills the air, coming from a dainty slab of electronics the size of a thin paperback book; this device has no physical connection to either the far-off server it’s pulling the music from, or to the speakers hidden in the corners of the room.

It is 1979. I am sitting on the floor, reading one of my father’s issues of “Audio” magazine. Music fills the air, coming from an assortment of electronics that become a significant component of the room’s decor: speakers almost as tall as me support a shelf of record albums and several black boxes larger and thicker than any book I own. A rat’s nest of wires hides behind this furniture, connecting it all.

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