<> HONKHONKHONK
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I’ve had a bunch of pages for this sitting on my machine for a while and I’m finally getting around to dropping them all into the queue. Yay!

I did some weird stuff with the style for this comic to set it up for the multiple-image single-panel-scroll look I started with and it is currently screwing with how the single-image full pages are displayed. I’m working on fixing this, at least they are showing up now. Sorry about the extra horizontal scrolling o individual pages if I haven’t fixed this yet; they work right in full chapter view!

<> A Very Important Interruption
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I should put something in here. I used to put something in here for pretty much every page back on Rita, didn’t I?

I should also edit the style for this comic to make it easier to get to the comments for an individual page.

Maybe I should get on some kind of comics ad network again too. It’s been so long since Rita and everything’s different now and I just wanna draw pages and not think of anything else.

<> DEPLOY! THE! CATCHPHRAAAAAAAAAAASE!
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CHAT ACTIVATED!

Oh. Thats’s the kind of guy he is. An influencer.


“Dang, you even shaded the crowd, too!” – Lan, who just recently did a big-ass crowd scene for his own comic

“hahaha no, I made Illustrator shade it for me with a complex little stack of gradient fills and boolean operations, here’s all the shapes I drew for just the crowd, if you wanna murder me now I completely understand” – me

I figured this trick out somewhere in the past couple of years and it still feels kinda hilariously like cheating sometimes. I’ve been using it sparingly in this comic but I’ve been going utterly apeshit with it in a lot of standalone images (mostly smut).

Someday I should do a blog post about how it works, it’s super powerful when I combine it with Astute’s Opacity Brush plugin to paint opacity masks a lot faster than unexpanded Illustrator can manage. And it feels so obvious in retrospect even though it took me twentysomething years of using Illustrator as my main tool to arrive at a place where I could say “hey what if I combined this effect and that particular detail of this other effect”, and half another year of fooling around with it before really getting it down to something easy to re-use, and get about half my shading done the instant I lift the stylus up from drawing a shape. I’ve still got to think about it but I get a ton of it for free and that’s pretty cool.

<> INTO THE VORTEX
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This is a straight swipe from my own work. Kin referenced this piece in the script and I could have done this from scratch I guess but I already had all the technical stuff set up for all this repetition, so I just pulled it into my comics template and replaced the drawings of my fursona with new ones of Alba.

Anyway that’s it for finished pages right now. As I type this the current status is that the script for the next part is mostly ready; I’ve gotta read it, start breaking it down, and figure out what the hell the Snacklands are gonna look like! The drawings in Foodclown’s travelogue are the beginning of it but I feel like I need to get thoroughly blasted and read a lot of comics from that time when Mandelbrot sets and Photoshop were both new and cool, and find something else to mix that with. Alex Grey feels like the obvious choice but I dunno if I want to go there…

<To be continued...
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