shelvin’

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Yesterday I got the second printing of Rita 1. All 600 books.

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This morning, I put them all into the shelves I store my merch on. These shelves are now pretty much completely full.

I am kinda worried about what happens when 400 copies of book 2 arrive. It’ll go down to about 200 once I ship them out, and removing the two boxes full of first-edition copies of book 1 that were sold to backers of the second Kickstarter should help – but I am pretty sure my studio will be annoyingly full of boxes for a few days. Ah well. That’ll motivate me to deal with the shipping sooner, I guess.

Some comics-making friends of mine are talking about sharing a warehouse downtown, both to store our various books in and to have a place to work that is Not Our Homes. I will be delighted to have this happen, as it will mean I can have my closet back!


What else. The other day I sent a photo and brief bio to a tumblr called “We Are Comics”, whose aim is to make a statement about the perception of the old superhero guard that comics are By Men And For Men. Here’s the photo. If you can identify all that stuff then you are cool.

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Most people seemed to just go with holding up signs (or word balloons) that said “I Am Comics” but I felt like being more elaborate. So I raided my library for stuff that was Important to me as a kid growing up, and threw my own books in the pile as well. All SF and fantasy and strange worlds; screw the corporate-owned superdudes.

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Then I was all, hey, I need to put these comics away so I have my studio back, but before I finish I think I’ll have lunch with an old friend I haven’t visited in a while.

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Oh yeah. Still as utterly amazing as it was when I was five.

Anyway. Now I should take a shower and maybe get some drawing done before Nick comes over. We might go hang at a friend’s boardgame night, or we might just chill around the apartment, because he’s driving me to a con in upstate WA tomorrow. And then there’s the Glitch Mob show on Sunday evening, which I’m also dragging him to. BASS! DANCE! WHEEE!

is it wrong to draw porn fan art of your own work

My mostly-dormant pornmonger alter ego drew what might have happened at the end of chapter XI if another of Rita’s exes hadn’t shown up [NSFW].

I had to ponder Carol’s skin color for a bit; I’d been drawing her in “midtone”. I knew she was not A Honky but picking exactly the right tone took some time. I’m pretty sure she’s at least second-generation Martian, and haven’t put any thought into what kind of ethnic mix may have colonized that planet. Though I think I’ve also implied that her current body may not be the one she was born in, what with it being a normal Earth human height; maybe she just likes that shade of brown.

Also I think I am now finished with the edits for the second attempt at printing book 2 of Rita. I let myself finish this as a reward for that, in fact. Well, “finish” – there is stuff I could definitely still work on here, but it’s good enough for porn!

automation is good

So I was thinking about my mistake with missing a page out of the Rita 2 book and how to NEVER MAKE THE SAME MISTAKE AGAIN. I mean obviously I am now going to make sure to do multiple passes over my proofs, and get at least one set of eyes on them to make sanity checks for things like “there seems to be a page missing”. But the actual mistake was that I was manually editing a long list of files by hand:

Teczetherca Thur Uenu Chousun:Users:egypt:Documents:gfx:working: rita:books:2:working files:With Spot:105.ai,
Teczetherca Thur Uenu Chousun:Users:egypt:Documents:gfx:working: rita:books:2:working files:With Spot:106.ai,
Teczetherca Thur Uenu Chousun:Users:egypt:Documents:gfx:working: rita:books:2:working files:With Spot:107.ai,
Teczetherca Thur Uenu Chousun:Users:egypt:Documents:gfx:working: rita:books:2:working files:With Spot:108.ai,
Teczetherca Thur Uenu Chousun:Users:egypt:Documents:gfx:working: rita:books:2:working files:With Spot:110.ai,
Teczetherca Thur Uenu Chousun:Users:egypt:Documents:gfx:working: rita:books:2:working files:With Spot:111.ai,
Teczetherca Thur Uenu Chousun:Users:egypt:Documents:gfx:working: rita:books:2:working files:With Spot:112.ai,

I mean, can you tell at a glance that 109.ai is missing? Would you even bother to check? Making this list is a tedious thing that requires executing the same simple steps over and over without error. In other words, it’s the kind of thing that humans are really terrible at, and that computers are really good at.

Or in pictures and words…

99 of Cups: Recursion Singing "99 Bottles Of Beer On The Wall" is a long and tedious task. Maybe it'd be better to automate it!

99 of Cups: Recursion
Singing “99 Bottles Of Beer On The Wall” is a long and tedious task. Maybe it’d be better to automate it!

So I took my own advice and wrote a little Applescript to do this for the next book, then bundled it up into a tiny application and stuck it in the directory where all my working files for the books live. NEVER AGAIN WILL I MAKE THIS FILE BY HAND.

I mean it’s still possible for me to put the wrong files in there, but that’s a part of the process where I actually have my brain online, you know?

Here it is if you happen to want it. It pops up a file requestor to choose a directory, then outputs a CSV file with the full path to each file – exactly what InDesign wants when you use the Data Merge panel to build a book from a template.

exciting new mistakes

So over the course of the past few months, I made a $6000 mistake.

When I was putting book 2 of Rita together, I somehow managed to completely leave out one page in the middle of chapter 10. Which is the one where the timelines involved are constantly weaving up and down, creating a strong rhythm; there’s no way I could get away with a page missing in the middle of that, even if the story still made sense without it. See where the red/orange/yellow stream turns up over the blue? That page. That page was missing.

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When I realized this, I was aghast. This was a serious fuckup that basically meant I would have to throw this first print run away unless I wanted to have an errata sheet inserted into it or something, which would also be ugly. And I take pride in the fact that these books are really pretty objects that I think are worth instantiating into atoms instead of endlessly duplicating as data.

I went to the first place this could have happened, and it was entirely my fault.

I dithered about it over the weekend, and decided, yeah, I’m gonna eat this cost. I have the savings to do it; I’m basically not going to make a profit off of book 2 until I make the second print run. I’m going to have them dispose of most of the first run and only ship one box of them with the second run, which I will keep around as a reminder of this super dumb-ass thing I did.

And for the rest of my publishing career, I will hopefully remember this weekend and always check over my proofs both for making sure all the weird printing tricks come out correctly, and making sure I haven’t put half the damn book together upside down and out of sequence or something moronic like that.

Nick was visiting while this happened, and he kinda gave me shit for this. Justifiably so, it’s a pretty bonehead mistake, and for an amount of money that would have been really scary a few years ago. But he did allow that he’s never seen me make the same mistake twice – and volunteer to be a pair of eyes looking for this kind of dumbassery on the next book, as well.

Anyway. I’ll be spending the next week dealing with this, I think. Rita book 2 has taken too long already, even without this fuckup, and I just want to get it in everyone’s hands ASAP.

baby’s first targeted ad campaign

 

 

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A quick snapshot of my current stats, as reported by Jetpack. Green notes about how many people read a decent chunk come from Google Analytics.

Over the past few weeks, I experimented with running a broad ad campaign, looking at what Google Analytics told me about how people were behaving, and then narrowing my focus to a couple sites that were standing way out ahead of the pack in terms of how many people actually sat there and read a bunch of the comic. I’m down to about $10 in my Project Wonderful account, so this is still not a self-sustaining thing yet, never mind a profitable thing. (I have PW set to just pour any ad revenue I get back into the bin for buying more ads.)

All advertising was on various webcomics via Project Wonderful, an ad network primarily used on webcomics. Which narrows my focus to “people who are already interested in reading comics on the web”. I need to find places to advertise to “people interested in science fiction” as well.

I think my next step is probably to finally get around to making an ad or two with that quote from Phil Foglio, then buy the top banner on Girl Genius for a while. That’s definitely a place to find people who are interested in lady-focused cartoony SF. After that, I’ll probably grit my teeth and do a bigger ad buy (low four digits) that actually grabs the top banner on some of the bigger comics of today.

I mean I could also just not spend money and focus on crafting my art into perfect little ultra-sharable nuggets of tumblr/reddit-friendly viral content, but let’s be honest, that is not a place I want to go with my work. That way lies the Oatmeal and Zen Pencils, neither of which I want to be.

the dream of an alternate version of the climax to Decrypting Rita

Last night I went to pole dance class for the first time. It was fun and probably deserves it's own entry. I came home and pretty much just fell right into bed.

And I dreamed.

The earliest bit I remember involved being in an awkward pit behind some stairs. I had to jump – very slowly and driftily – high enough to catch myself at the top and pull myself up onto the stair landing; this was complicated by there being a two-dimensional neon-glowing cobra wandering around. I caught it, threw it into the little pit I'd been in, and clambered out. The stairs looped around strangely, bringing me back where I'd been in short order; I jumped back down into that little pit, stomped the cobra, then wandered off through a hidden passage, talking to the cobra in a suddenly friendly manner.

I can't remember how I got here from there, but after a bit I was in a car with my mother, talking a nighttime drive through a semi-ruralish area. In the sky, I showed her some of my plans for the next bits of Rita: a scene in a kitchen between Rita1 and Carol1. Rita was glowing; the lights went out and she disintegrated into an angular line drawing, as if she was in a vector game, then those lines simplified and broke up and rearranged themselves into a really complicated array of sine waves plotted in slight 3d perspective. The waves overlapped and flowed (and I winced at the shortcuts I'd taken here and there in animating this). Then the waves shifted from a horizontal flow to one going up and to the right, and coalesced into a multicolored line. Every few color changes, a sub-line would branch off briefly, taking a little 45° turn, then another one back to parallel the main line. Some of them went backwards; they all ended after a very short time. But as the line scrolled by, some of the branches started getting longer and longer, growing little sub-branches of their own, splitting and spreading until there was too much to fit in the frame at once. The view scrolled back and forth some, examining the whole width of this design.

I felt like this sequence went on a bit too long, and needed to be cut down before it actually went into the comic. (I have a climax planned that sort of touches on some of the same themes I felt this was abstractly discussing, by the way.)

Then we were at an earlier point in the drive, before I showed off this sequence. Instead of taking a left turn to a long looping detour, we jinked right into a military base, and drove into a tight little tunnel. The car was now a little off-road four-wheeler, and I was hanging on the back; I had to duck my head lest it be brushed against the bright yellow plastic of the tunnel.

We came out into an office and got off the four-wheeler. I was presented with a check I'd given the clerks the last time I'd been here, that hadn't gone through. Probably because I'd signed it “Katie Rice” instead of with my own name. It was also an oversized one of my business cards but that seemed to be perfectly acceptable. So I dug in my bag and found another card – I had to awkwardly tear it off of a set of three, that were I perfectly cut – and wrote a new check for $20 (covering both that bad check and this passage) and handed it over. We were free to proceed.

Which we did on foot, instead of on that vehicle. There were several large rooms, connected by tight little tunnels I could barely get through. Eventually I ended up by myself in a dark, vast arcade, full of huge versions of games. And lots of people wandering around. Nobody was playing the games, the y'all seemed to have places to be. I paused before a reinterpretation of Dig-Dug that had you zooming through space, following chains of fruit bonus pickups at high speed, then diving into giant space gourds full of dirt for what I assume would have been some form of more digging-oriented game play, but I wandered off around that point in the demo.

I wandered to a different part of that room, organized like a bookstore. As I went up and down the aisles, I dug a handful of change out of my right pocket, and started filtering out the quarters. I am pretty sure I ended up with more quarters than I had coins of any kind at first; dream money is weird I guess. I put the quarters in my right pocket, and the other coins in the left, without at all remarking on the fact that I was wearing jeans – something I haven't really done since before I transitioned.

Now that I had quarters, I wanted to go try some of these games. But instead of going directly back, I went through another tight tunnel to an area I'd been in before, I think it was some kind of spa? I can't remember. Whatever it was, the tunnel got tighter, until I had to turn around and start climbing down through its close embrace of loose cloth.

And then suddenly I was awake.

 

I lay there for a bit, deciding if I wanted to get up. And then the ipad beside my bed emitted a gentle chime. I picked it up to see what it wanted me to do. The lock screen merely told me it was 7:00, so I unlocked it, and found myself in the Kindle app looking at “The Oversoul 7 Trilogy”, which I'd been reading the night before. It's a weird book about an “Oversoul” being examined, and having to jump between the various humans it's connected to. Interesting synchronicity.

It turned out the chime was a notification for the now-cancelled appointment for a Comcast tech to poke at my net (it went down yesterday, I made an appointment, then a tech showed up to fix the net for a different apartment in my building, and fixed mine while he was at it). I rolled over and decided to go back too sleep, but couldn't. Eventually I picked up the ipad and started writing this. When I got to the point of writing about it going ding, another notification for the same appointment popped up and went ding again.

I'm never sure if synchronicity happens because some part of my brain is looking for patterns, or if there's something actually there. Who knows.

Anyway, that's the dream I had this morning.

Kickstarter 100%

So the Kickstarter for Rita 2 funded tonight while I was kicking back and playing Saint's Row 4. I feel pretty good about this; it took me a little less than half the campaign to make what it took me a whole month to sllloooowwly crawl up to last time. I've got a few stretch goals but I'm really just gonna let it be for a few days, and spend time working on the last couple pages of the comic and some short story side things. (Backup for P, SP collab(s), HM/DA proposal, maybe some lingering commissions even, those would be nice to get out of the way for once and for all)

I'd sent out a few more publicity requests; those will probably show up in the next week if at all, and we'll see how much of a boost they give me. KickTraq is currently projecting a final range between 10k-17k, really anywhere in there would be pretty amazing but enough to print it is all I wanted. More will be lagniappe.

I'm glad to be able to stop worrying about it, really. I don't like who I kinda have to turn into during a Kickstarter campaign. Now I can go back to being this relatively quiet lady who draws comics.

3D model ref workflow version 3

My previous workflow for 3D reference positioning just kinda… quit working. I don’t know why. I think it was around the time I upgraded to CS6, but downgrading to CS5 didn’t fix it. I flailed around for a while, thinking crazy thoughts like “maybe Blender can do it”, tried a photo-match feature in Sketchup, and then after giving up for a while I thought about how Sketchup’s photo-match feature works and came up with a simple way that works better than my previous workflow.

I think I may have used this for the last panel of 3D ref in Rita, but hey, it’ll be there when I need it for the next time.

  1. Expand subdivision into a mesh, export an .obj from Silo.
  2. Load rough page into Photoshop. Convert from indexed to RGB.
  3. 3d->new layer from 3d file.
  4. Keeping the object’s ‘current view’ selected in the 3D window, switch to the move tool.
  5. Rotate and transpose the CAMERA VIEW to match the sketch. DO NOT MOVE THE MODEL AROUND. Keep the model in the center of the 3d space.
  6. Also futz with the field of view in the 3D panel to match whatever exaggerated perspective I’ve done in my sketch.
  7. Export a transparent png, drop into AI, draw.

mah process

Here’s a little video of how I do my thing in Illustrator. I’ve done a few process videos before but I’ve never kept it slow and explained exactly what I’m doing.

Unless your bandwidth is total ass, you probably should watch this in 720p or 1080p, as it’s a recording of me working on the big monitor at my desk.