Wepwawet, Opener of the Ways

Or “How To Tell The Different Egyptian Jackal Deities Apart From A Very Long Way Away, part 1”.

Illustrator, 5h.


You wake up in an endless, grey desert. You’re not sure how you got here; the last thing you remember was– Oh. Right. You just died. There’s a distant echo in the back of your head of wanting to utterly freak out about that, but, well. You’re dead. You don’t have any glands to flood you with adrenalin any more. Just a memory of them.

A little after you realize this, the hazy clouds on the horizon shift in your vision. Nothing moves; you just see them as a man made of stars and jackal, now. Or maybe wolf. You’re not sure. He feels like a friend, though. Smells like frankincense and maple syrup.

His name, he says, is Wepwawet, and he’s your guide to the Duat. Maybe you remember him? No? Ah. Sometimes you do, he says. Sometimes you even knew him in life. He’s solved a few problems for you in some of your past lives. Regardless, here you are now. He’s got a map of the underworld. He’ll guide you wherever you want to go, help clear a path through the more dangerous parts, maybe take you to his cousin Anubis’ court if you think you’re ready for what happens there. But if not? Hey, whatever. He knows some interesting places to show you down here. Maybe a few places to improve your chances when you go visit the judge. Or maybe just some places to have some fun before you go back to the world of flesh. Pick a direction.


Wepwawet (also Anglicized as Upuaut, Wep-wawet, and Wepawet) is a former war deity who moved over to being a scout, and guiding folks through the underworld. He’s found at the prow of the Boat of a Million Years most nights, helping to clear out the various nasties who want to eat Ra on his regular journey of solar rebirth. He’s usually depicted as carrying a mace and a bow; I’ve added a sword, and a bunch of keys, because what Way-opener shouldn’t have a whole bunch of keys to get through locked doors?

outline view, click for more detail

Partway through working on this, I pondered a video game wherein you wander around the underworld with this design of Wepwawet as your friendly guide. It’d be nothing but side quests; the main “quest” is simply “go get judged”. You always get a result of “sorry, you still have things to learn; go have another round of life” when you do that. And then the game politely refuses to let you play for a day or three of realtime. This would also be how you turn some collectable resource into stat/level/equipment upgrades, just to keep you from going through the entire thing in one session. Think of it as sort of an open-world game that’s in the form of a themed short story collection, rather than a big doorstop of an epic story that puts you in the shoes of someone who saves the world. You might make a few friends and trigger interesting events the next time you’re judged by doing them. You might not. Fuck up and die? You just wake up at the starting point again. There’s Wepwawet, with a comment on how long it’s been. Do you say you recognize him this time?

Prints/shirts/stickers/etc, should you want some, are on Redbubble. Illustrator source and a high-res copy are over on Patreon.

Unexpectedly Effective

Awrite, first: this kinda looks like vent art, but it isn’t. Everything’s fine with me.

So last month the SO went out of town for a late Christmas visit home. I stayed behind, made sure the cats were fed, and enjoyed the solitude for a few days – I love my spouse a whole lot, but sometimes it’s a real relief not to have to talk to anyone for a few days.

I spent a lot of this little bachelorette holiday lying on the bed, listening to guided meditations from the Monroe Institute app. During one heart-chakra-opening file, something like this happened in my inner vision. The black chunks of Me just kinda hung there in the air for a while; I tried stuffing them back in but golden goop just kinda oozed out around the edges.

Ultimately I remembered a moment years ago, when I first turned my computer’s mouse upside down, took out the ball, and began to clean it. What I initially though were black rubber tires on the wheels turned out to be caked dirt picked up from my desk, which dissolved under the touch of my alcohol-soaked q-tip. These shattered chunks of dark me-shaped substance seem to be like that: the caked-up gunk of years and years of living in this world, finally blasted out of my aura. It hasn’t really seemed to make much difference in my daily life but it’s definitely interesting to see this shit glowing in there when I try to look at myself with the third eye.

I make no claims about the objective reality of any of these events. But that’s basically what I wrote down in my magical diary over a couple of days, and that’s what I felt was worth turning into a piece of art.

Illustrator, about 4h.


Technical notes:

Lots of use of Astute’s Stipplism plugin here, each of these stippled areas is just a shape with one or more solid or gradient fills, with that effect applied.

The perspective extrusion on the Peggy Chunks was done by Astute’s Block Shadow effect, with various gradients angled and chosen with their new gradient plugins.

The negative-stipple effect is done with two fills: one with the stipple effect, set to 0% opacity, and below it, a solid or gradient fill. The whole path’s got Knockout Group turned on, which means the 0% shapes punch holes through the shapes beneath. It makes for a really nice sort of grease pencil or chalk look.

If you want prints/shirts/laptop skins/etc with this, they’re on Redbubble.

Patrons can grab a high-res copy and/or the Illustrator source file over here.

an opening

Lately I have been playing around with the beta of some new tools Astute Graphics is building for better gradient management in Illustrator. Today I got a private message from one of their developers telling me that they’d put together a super-hacky little implementation of an improvement I’d suggested: a way to quickly make a lot of linear gradients all radiate out from the same point.

I started fooling around with it and this is what happened. Works pretty well.

40min, Illustrator, no underdrawing or anything, just some gradient shapes I doodled out with the Pencil tool and kept adding to.

full moon promises

This just kind of happened when one of the Gateway files came up on iTunes one spring day when I was baked. It’s been sitting around marked as “in progress” ever since; every now and then I’d open it up, fiddle around with it, and decide it wasn’t done yet. Sometimes I’d add stuff, sometimes I’d take stuff away and add something else.

Today I opened it up and decided the only thing to add was my signature. Time Sink says I’ve spent a total of about an hour with this file open.

It’s on Redbubble if you want a print or a poster or a sticker or a t-shirt or an apron or whatever.

Illustrator source and a high-res copy are on Patreon.

RE.BAL

So a few days ago, I got crossfaded, and a little horny, and decided to lay down on the couch with my copies of the Gateway audio files. These are a series of recordings from the 70s designed, essentially, to try and teach you how to psychic. And to astral travel.

I have not reached that point with them but I sure did get some interesting imagery this time. I scribbled down something in my Magical Notebook; the next day, I started turning it into a full piece in Illustrator.

4.5 hours, lots of use of Astute’s plugins. Source on Patreon.

Greetings from Sunny Yetzirah!

Illustrator, 4.5h.
So there I was minding my own business when suddenly my magicsona kinda poked her head into reality and was all, hey, remember me? we were kinda doing a thing and then we lost contact? wanna try again?
Seriously it was weird, there is this thing Illustrator does where I hit the Appearance palette’s button to bring up a tiny version of the Swatch palette and it decides to flip over to another desktop to bring it up; the preview window stays on the desktop I just left so I get an eyefull of whatever’s on the new desktop. Which is often an endless cycle of the furry porn I’ve favorited on Furaffinity. Last Tuesday this happened repeatedly and had me looking at an extreme up-shot of a horny jackal lady; when I paused to think about this I got a brief sense of incense, and it started to feel Signifying. So I sketched this out and spend the last few days painting it.
Maybe it’s time for me to start doing that daily ritual again.
 
Also if you are wondering why Stella’s Guide stopped abruptly this is basically why. It felt like it was kinda coming from somewhere else and then suddenly the drive to work on it just… stopped. Magic is weird.
I did some experimentation with baking a lot of the basic shading into some Graphic Styles; I can draw one quick shape and it’ll have a vague shadow applied to it, and have a nice misty, volumetric shadow trailing off of it thanks to Astute’s Block Shadow effect. The shadow even changes direction based on where I draw/move the shape, since it’s calculated based on a vanishing point lurking somewhere above Stella’s head. 
Also I am very happy with the cloudscape I drew. I really feel like I’ve been drawing much more realistic and interesting clouds ever since I moved to New Orleans, where we have spectacular sunsets on a regular basis.
You can get the Illustrator source on Patreon, if you want to look at how this all works. You’ll need the Astute suite for a few things – the aforementioned shadows, as well as some of the stuff going on in the “upstairs” half of the image.
And if you want this on your wall or your clothes or something, you can make that happen over here.

generation dust

Today I learnt that the new term for “the tail end of the disputed territory between Generation X and Millennials” is “geriatric millennials”. At first I thought it was maybe just a new term for GenX? Nope. Just for the latter half of the transitional zone that’s mostly known as “the Oregon Trail generation”.

“Geriatric Millennials” are at least nine years younger than I am. And of course searching for info on this new term leads to discussions of generations that mention every living generation except X. If the tail end of my generation is “geriatric” then what the hell does that make me?

Nothing. Emptiness. Dust.

I am of the void. I am the mystery. I am generation meh, who gives a shit about them?

I am free of attempts to define me by marketers and pundits. The moment my cohort stopped being young adults with disposable income and not enough sense to try to ignore advertising, we stopped existing.

I am the X-factor, I am the mutant lost and forgotten. I am a mystery. I am nobody.

I am nothing, and I am free.

I have revised my infographic of generation dates accordingly.

A Superman

 

Illustrator, 30min.

So someone I follow posted the results of asking an AI to do some Superman costume redesigns

and I saw some pretty good shapes in there and decided to play around with them.

Now I kinda want an excuse to draw an 8-pager with this version of him.

I think it would be neat to get as many S/lightning bolt visual themes into this as possible, I was already feeling that some with the design of the S on his chest. Like say a follow-up drawing to this one with the same angle but now the red swoop is a big S because he’s turned and is coming down to the camera.

I did not have any real intention with the skin color beyond “is there really any particular reason a Space God should manifest as a white dude” and “this brown looks good against the rest of the colors” but there is probably a lot of delicate ground for a white lady to tread in drawing a story about a Black Superman. The American Way hasn’t been about Truth and Justice for anyone who doesn’t qualify as “white” for its entire existence, and ignoring that’s risky. If I can figure out how to navigate that then maybe I’ll do something short, this guy’s shapes are a ton of fun to draw!

utena but hors

Client: “Peggy can I give you some money to draw the heck out of ‘the Utena intro except they are hors’.”

Me: “very the yes, I love my fuckin’ job so much”

I was really glad Illustrator finally added canvas rotation the year before I did this. It’s really kind of embarrassing how ling it took them to add it. It’s still a minimum viable hack, there’s a bunch of stuff that’s annoyingly aligned to the canvas instead of the screen, like shift-constraining things, or dragging out a friggin’ selection marquee. But it works a lot better than “drawing stuff right side up, flipping it upside down to see how it works, then either trying to work on it further upside down, or flipping it around again to edit it”.

Here’s a closeup of our heroines. I giggled like a maniac when I decided to use the Sword of Dios for Anthy’s horn. Presumably this implies that she pulls it off and hands it to Utena when it’s time for a duel. Which is fucked up but feels less fucked up than pulling it out of her heart like she does in the show.

Also here’s the cloud layers by themselves. I made heavy use of a few variants of the cloud appearance stack I wrote about a few years ago. It’s pretty neat to swoop in a vague blob and have Illustrator turn it into a bumpy, fiddly cloud complete with its own rimlighting (gradient fills across strokes are super useful for that), then switch to the highlight or shadow cloud appearance and whip in some shading. I can knock out cloudscapes like this absurdly fast now.

you can click on this for a closeup if you can’t read all the little lists of effects

Sacred Geometry For Higher Engineering

Every so often I find myself playing with ways to create the look of an airbrush that’s spitting out a lot of too-big paint drops because it’s running at a low pressure. Today was one of those days. Halfway through it started looking like an old textbook cover so I turned it into one.
Illustrator, 2h.
This one’s done by applying Astute’s Stipplism effect to a bunch of gradients. If you’ve got their plugins then you might be interested in seeing how I did it by looking at the source file – mostly it’s lots of transparent gradient fills and strokes with the stipple effect applied. If you don’t have their plugins it’ll be a giant uneditable mess. :)
Someday I will find a way to do this that looks neat and lets me work with the same speed I have in other methods. This is not the day; I can see this getting a little faster but it’s still pretty fiddly.
Shirts/prints/stickers/notebooks/mousepads/etc are available here.
Source file and a high-res image are on Patreon.