DO TASKS, MEAT SACK

“I’d like to go out and have some breakfast,” I thought. But as I got dressed it became increasingly apparent that I really needed to do laundry. I put together a cute outfit with the intent of going out anyway, and then opened up the to-do list to tell my later self to consider this as an Important Tast That Needs Doing.
Upon thus escalating laundry from “a thing I do while procrastinating on Real Tasks” to a

  • REAL TASK

with a checkbox and everything, I found myself suddenly compelled to just

  • Do your laundry. It is past time.

All the scattered thoughts that nornally occupy my mind fled, and the whole of my consciousness was dedicated to

  • put a load in the washer as quick as possible so I can get on with doing what I actually want to do

I felt like I was two beings at that point: a sack of meat with a set of desires and a consciousness, and a secondary electronic consciousness that it had set up to tend to its longer plans. And the external me reacted with utter disdain to treating “laundry” as something at that level: Consciousness is a privilege, not a right, Meatsack, and if you can’t get these few basic support tasks done it will be revoked until you do them. 

When I had my brain back, I thought of Manfred Mancx in the first chapter of Stross’s Accelerando. And his system of self-notifications and alerts so complicated that when someone else stole his smartglasses, they began to become him. 

Suddenly that seemed less implausible.

another year gone by

The first thing through my head in the morning is “I should deal with those life insurance policies on Mom except wait I still haven’t gotten the death certificates what’s up with that”. This is going to be a long forty-fourth birthday.

Then I check my email. Every computer wishing me a happy birthday via email is like a little knife in the gut because it reminds me there won’t be a phone call from her.

Yeah. This is crap. I’m going back to sleep. Maybe I’ll feel better when I wake up again.

 

Later. I looked at those life insurance policies. Another year or two of runway for getting this whole ‘comics’ thing off the ground as a viable career. Maybe more, I didn’t try to untangle their descriptions too deeply. I’d rather have another decade of her around to see it.

The Bestest Pony

The Bestest Pony

 

Something I whipped up for my ex-with-benefits’ birthday. Which is today. And maybe for mine. Which is the day after tomorrow.

Illustrator, maybe like 45min.

Also I drew a sequel. Or rather my pornmonger alt drew a sequel. It is NSFW. You have been warned.

And then she drew another sequel. It’s even more NSFW. Or for opening in front of relatives, if you’re checking your feeds at your July 4 festivities.

A retcon for a game I have never actually played.

So. Splatoon. The light-hearted third-person team shooter in which you are a kid, and a squid.

I do not own own the appropriate game hardware on which to play it. All I know of it is from what people post on the Internet. A friend who does own it was pondering why you can’t swim when you’re being a kid, only when you’re a squid. “Maybe it’s the price they paid for their sentience,” Ian wondered.

To which I replied:

Squids are actually all small clusters of the Paint that have split off into smaller minds. Eventually they will return. But really they are all thoughts that the Paint is having. It takes a lot of effort to swim within It without becoming It again.

Ian: It’s just one giant blob of Grey Goo coloring itself up and playing games with itself.

Me: Splatoon: the most colorful post-apocalypse ever. These arenas are all that remains of the world after the Incident. Squid kids: memories of the people from before coalescing out of the Paint. But all are co-opted into its games, lest they escape.

Ian: IanJay_2015-Jul-02

 

Me: Huh. I guess it really IS the most colorful post-apocalyptic scenario ever. AWESOME.

Ian: This would explain why so much focus is put on playing by its world’s rules– the relentless urge to “stay fresh”, style-wise. By distracting the memories with a fragmented, nonsensical facsimile of Shibuya centered around fashion and battling, the Paint can keep its inhabitants’ interests narrow.

Me: YES. But what are the real aims of the Paint? What happens when you break out of the endless game into the secret adventure?

Ian: I don’t think the goal is to break out, but to regain sentience by considering the sum of your experiences & extracting meaning. In that way every Miiverse post in the game is a tiny act of defiance.

Me: Is this an extended metaphor for the concept of Maya.

Ian: Possibly! Or a very very extended ARG for custom map editor DLC.

Me: Or Frog Fractions 2.

 


squidkidsona

I couldn’t resist. I drew my squidsona. Her name is Only. She has seen the Tru7h and took the turquoise pill. Her favorite weapon is the spray-can.

 

Cleaning up that Tarot deck.

I just amended the page for the Tarot of the Silicon Dawn. It’s still not as cool as it was before I switched my site over to WordPress a few years ago, but at least now it has images of all of the cards on it. If you click on them you’ll even get to see the full text of the card.

Eventually I may make it spiffier again but I think this helps give a better sense of the contents than just ‘here is an unboxing video, here is where you can buy it’.

Owning my tools.

ai_cc_splash

There we go. No more creepy drowned corpses staring at me when I boot my computer up any more. And the real version number instead of the marketing number – I started with Illustrator 8, and I kinda like that reminder that I’ve been using this program that long.

If you want to use this, grab the high-res version and the low-res version, then right-click on Illustrator in the finder, select ‘show contents’, then drop them into contents/resources. You might want to rename Adobe’s ai_cc_splash.png and ai_cc_splash@2x.png before you do this, just in case it bitches come update time.

If you’d rather drop in your own art then you can grab my Illustrator file and go to town. If you keep the ‘type hider’ layer as-is then it’ll hide the credit for the person who drew the original splash screen by putting the same color behind that text.

(The image is a very orange icon I drew for someone a while back, with a few effects added here and there.)

History Lesson

pride-2015

Yesterday, the Supreme Court handed down a ruling: two people of any gender can get married anywhere in the US. I painted my nails rainbow colors to celebrate. Then I decided I wanted to draw something as well, and this fell out.

Really, I feel like this is kind of the fate of every holiday celebrating some ethnicity’s independence in the US: “hey I guess these people are cool but what’s really important here is drinking funny-colored liquor. And maybe dressing funny, too.” And once every single battle a LGBTQI* activist could dream of has been won, that’s what will remain of Pride.

* * * * *

If you are the kind of person who likes to share stuff on Tumblr, I bothered to do a separate post there this time with the image chopped up for better display. It’s here.

ACHIEVEMENT UNLOCKED: Academic credit.

A while back – I think something like a year ago, maybe longer – I got pointed to a call for submissions for an academic journal. The “Transgender Studies Quarterly” was doing an issue called “Tranimalities”, themed around, well, honestly, teh furreh. And even teh postfurreh.

So on a whim I submitted a short B&W comic Nick and I had done a while back for the Anthrocon conbook. I gave it a pseudo-academic title. They accepted it.

And I got my contributor copy today.

IMG_1774

IMG_1775

I briefly flipped through it after opening the package. Holy cow is it full of academia. I will need to sit down with a stiff drink before trying to actually read most of the articles in this thing.

If you want a physical copy of this sucker, you can order one here.

If you’re just interested in my comic, it’s right here on my site.

I got a comic about a catgirl turning into a robot spider into a serious academic journal. I can’t help but feel like this means I am winning at life.

New Illustrator.

There’s a new version of Illustrator. New versions of all of Adobe’s stuff but who the hell uses that obscure Photoshop thing? Not me. Pixels are so 1986.

Running down the “What’s New” page on Adobe’s site:

  • Some shit for people who collaborate, I dunno, I work alone.
  • Adobe is trying to own stock photos I guess. Doubt I’ll ever touch that palette. I draw everything from scratch.
  • GPU acceleration. CC2014 had this for some Nvidia cards on Windows; CC2015 expands to some Intel and AMD cards, and to Macs with at least 512M vram and OpenGL4.0. Which includes mine. Well this will be worth dealing with it putting that stupid uneditable “default touch brush” in all my documents.* Though I thought they rewrote it for Apple’s new API Metal according to the WWDC keynote? Maybe that’s going to land in 19.something. (CC2015 = version 19) This is a feature I am excited about.
  • Maximum zoom raised from 6.4k% to 64k%. I will try to avoid ever needing this; I spent a lot of time training myself not to get lost in those kinds of details. It’ll be nice when I need to do something huuuuuge I guess.
  • Also a new weird-ass mode for the zoom tool that I will be turning the fuck right off because I’ve been zooming the way I zoom for about fifteen years now oh god has it really been that long. shakes her cane at you young whippersnappers and your touch-focused UIs
  • “Safe mode” for figuring out why it keeps crashing. sad laughter
  • Some kind of autosave. Which I suspect I will turn off unless it comes with a major speedup in saving files, or if it saves some kind of quick delta that it can merge with the last version on disc when relaunching after a crash, because my files take noticeable amounts of time to save.
  • More integration with mobile apps yippee skippee I will probably never use these because I have a super light computer I can take with me.
  • A few little tweaks including a switch to turn off auto-close in the pencil tool, which makes me happy because it drove me nuts and was one of the reasons I reverted to 18.0.

Continue reading

workin’

Screen Shot 2015-06-15 at 4.37.57 PM

Today I hung out in a cafe with Nick and revamped my table signs for “Decrypting Rita” and its fliers. I wanted to add some of the blurbs I’ve been getting from various famous folks. Then I had the brainstorm of putting a copy of the flier on the sign behind them, so that if I happen to run out, interested people can use their phones to take a photo. I then went on to make some signs for the Tarot deck and its fliers that pulled the same trick. Now that I look at these, I am tempted to put the covers for books 1 and 2 on the signs for them, as well – the covers are pretty eye-catching IMHO.

(All of these signs are a little bit taller than the thing they describe; I put them on my little wire stands, then put the item in question on top of them.)

The Elephant

Before that, I took this elephant down from the top of my bookcase and told him some good news. He belonged to my mother when she was a small child, and hung out in her library when she was an adult. Neither me nor my aunt has any idea what his name is. Now he’s on top of my bookshelf. I figured that since I could’t call Mom any more, I’d tell him instead: I’ve got a spot in the dealer’s room at this year’s Worldcon. And this morning, a major modern SF author wrote a blog post about cool online comics he likes that included Rita. Which he noted was totally not anything like Hugo suggestions. At all. Completely.

If I ever end up with any awards, I am going to show them to this elephant, and keep them next to him. It seems like the closest I’ll ever be able to come to telling Marie-Jeanne how far I end up going.