psychohistory my ass

When I left the apartment to go get some breakfast, there was a guy on his phone outside. Instead of holding it to his face and speaking relatively softly, he had it at arm’s length from his face, and was projecting like an actor on a stage. After a moment I realized this was because he was having a video call. Probably about whatever had happened to the car he was walking around, which had a broken rear window with a trash bag taped over it. He wasn’t speaking a language I even remotely understand, so this is just conjecture.

Earlier in the morning, I’d had a health care startup’s bot reply to a tweet last night where I muttered about a sore throat. It offered a house call.

Welcome to the dark cyberpunk future. It bears no resemblance to the one anyone promised us. But it’s the one we have. 

good morning

It's 7:30 AM and I'm wide awake. Am I jet lagged?

It is also possible that I'm just awake because I went to sleep pretty early last night; I forgot to have food most of the day, then kinda collapsed into bed when I came back from getting a sandwich. Plus I have something like a cold that I caught at SPX or on the way home from it. Probably on the way home; I hung out in the DC airport for like four hours, waiting for my flight in an environment that smelled like “I will probably get sick breathing this air” the instant I stepped in.

And here I am going to Rainfurrest today and tomorrow. To SPREAD MY DISEASE. And to dance. If I have the energy. Don't kiss me if you go too.

The only useful thing I did yesterday was to send off the brief addendum I had to my Nickelodeon pitch. They told me my show bible was pretty interesting, but they were explicitly looking for outlines/boards/etc for 2-3 min cartoons, and gave me until Friday to throw one together and send it to them. I thanked them, and did a first draft in the time between the pitch meeting and SPX's show floor opening up; it sat dormant while I travelled and spent the first day home with Nick hanging around, then did some minor edits and sent it off. I'd had some notions about loosely timing it to see if it actually fit into 3 minutes (probably not, it's probably more like 4-5 unless I time it super aggressively) and editing it until it did, but I didn't have anything like the energy to do that.

Guess I'll go shower. I haven't in a couple days due to general post-SPX lethargy. And next week I get to get on ANOTHER airplane and do ANOTHER con! But only a trip down to the Bay Area this time.

good morning

It's 7:30 AM and I'm wide awake. Am I jet lagged?

It is also possible that I'm just awake because I went to sleep pretty early last night; I forgot to have food most of the day, then kinda collapsed into bed when I came back from getting a sandwich. Plus I have something like a cold that I caught at SPX or on the way home from it. Probably on the way home; I hung out in the DC airport for like four hours, waiting for my flight in an environment that smelled like “I will probably get sick breathing this air” the instant I stepped in.

And here I am going to Rainfurrest today and tomorrow. To SPREAD MY DISEASE. And to dance. If I have the energy. Don't kiss me if you go too.

The only useful thing I did yesterday was to send off the brief addendum I had to my Nickelodeon pitch. They told me my show bible was pretty interesting, but they were explicitly looking for outlines/boards/etc for 2-3 min cartoons, and gave me until Friday to throw one together and send it to them. I thanked them, and did a first draft in the time between the pitch meeting and SPX's show floor opening up; it sat dormant while I travelled and spent the first day home with Nick hanging around, then did some minor edits and sent it off. I'd had some notions about loosely timing it to see if it actually fit into 3 minutes (probably not, it's probably more like 4-5 unless I time it super aggressively) and editing it until it did, but I didn't have anything like the energy to do that.

Guess I'll go shower. I haven't in a couple days due to general post-SPX lethargy. And next week I get to get on ANOTHER airplane and do ANOTHER con! But only a trip down to the Bay Area this time.

cyberpunxnotdead

So Rainfurrest has this sketchbook they want the GOHs to draw things in. I found about this on like the last day of the 2014 con; it ended up sitting in my bag for a half a year before I took it out and started doing a piece I intended to do in marker. But then I realized I hate doing physical media. And then my mother died and things like this went way down the list of priorities.

Now it is the week before the con, and they want it back so they can give it to this year’s GOH. So I said “fuck it” and took my rough into Illustrator, did a couple reference photos for the character, and knocked it out in a couple of hours because that’s easier for me than faffing around with real media. Then I printed it out and glued it into the book.

I am sure all the subsequent GOHs will hate me for raising the bar like this.

And for your amusement, here are some things I tweeted during this process:

original sketch

“Oh yeah maybe I should finish this thing in the RF guest of honor book sometime.”

Reference selfies. Taken using a Gorillapod phone tripod to hold my phone to one of the uprights of my desk, with one of their magnetic tripod lights beneath me pointing up to get the uplighting I wanted. I use a now-unavailable timed selfie program called SnappyCam, but I’m sure you can find one. I highly recommend a setup like this; it makes tough poses several orders of magnitude easier, especially with a tight deadline like “oh shit I just got back from SPX and Rainfurrest wants the sketchbook back before their con starts Thursday”.

CPm7RRlWEAAmacs

Pretty much the best-looking misprint I’ve ever generated. My printer ran out of every color except Photo Black while I was printing the pitches last week, and I had to run out to get some more liquid gold ink.

(And also, yeah, hi PNW furry art friends who may be future Rainfurrest GOHs, they’re going to haul out this tome and ask you to draw something in it, please don’t feel obligated to bust out full color digital stuff unless, like me, you find it easier than hassling with real media…)

SPX 2015

Well. This has been a very different con from what I’m used to.

It’s a small show. Bigger than most furry cons that are not Anthrocon, but smaller than most of the comics shows I do. (And of course my standards there are skewed what with one of the five biggest comic cons in the US being my hometown con.)

But I sold like crazy. I brought twenty copies of each volume of Rita; I sold out of volume one around 2PM on Saturday. Which was three hours after the dealer’s room opened. This is a crazy outlier compared to all the other cons I do; normally I’d be bringing some of those things home with me, I sold most of the twenty copies of v2 I brought as well; I think I have like maybe eight at most sitting on my table right now. And one Tarot deck out of what I brought left.

Walking around the show during setup was interesting. Very strange to walk around a comics con and not see any walls of Marvel/DC fan art. I saw one person affixing a Spider-Man balloon to the top of their sign as an eye-grabber, and later I saw a few bits of what might have been Fifth Element fan art at one table. But largely it was people selling their own creations, and, if my sales were any guide, people buying those personal works in volume. I will probably be applying for 2016. And I will be shipping a lot more books.

Then I got to go to the Ignatz awards and see my room-mate fail to get a brick for ‘Best Online Comic’. Welcome to the club, Blue; there will probably be a few years to go until you sweep the Ignatzs, or some other award, with ‘best new creator’ and a couple other works. And then I hit the dance, about which the best thing I can really say is that it made me really realize what one of the things is that I’ll miss if I never do another furry con again – furries put on amazing raves, in big ballrooms full of people dancing in crazy light-up costumes, with fandom DJs who have a huge collection of high-energy electronic dance music and a fine sense of mixing for the crowd. This was… well, once the DJs changed it was okay, but it was smaller than some dead dog parties I’ve been to at furry cons. Furries know how to party.

I’m writing this on Sunday morning. I’ll probably hold down the table working on Rita, and maybe selling a few v2 to people who only took a chance on 1 and devoured it last night. I get one or two of those most cons. But first I need to go have breakfast and have my fifteen minute long pitch meeting with Nickelodeon, who’s actively soliciting them here. Will they be interested in my show? Who knows. The best I’m really hoping for is “holy shit this is neat but it’s so far outside of what we could ever do, sorry, good luck!”. Unless they are secretly looking for something to compete with the several continuing shows over at Cartoon Network.

…A bit later. They were interested in my pitch, but they are explicitly looking for proposals for 2-3 minute cartoons. I have a week to figure out how to fit the basics of the whole setup into that much space, and send them an outline. I went and sat out in the sun with a bagel and some water in the time between my pitch and the show floor opening; I now have a first draft of a cartoon, based on their suggestion of having the two teams compete for something, and Kin’s idea from last week of having one of the first episodes on both sides be a rescue, so as to establish them both as Good Guys. When I get home I’ll see how badly it fits into the alotted time, and decide how many optional things I have to leave out and how many essential things I have to grit my teeth and cut.

Now I am sitting in the dealer’s room for the second and last day. Not really bothering to try and pitch anyone very hard. I may get up and wander some, possibly even buy a few comics? Wish I’d brought more merch. Next time.

…Later, in the airport. Scott McCloud stopped by my table and said hi during his swing through the dealer’s room. SENPAI NOTICED MEEEEEE. Nothing much else interesting. Blue and I finally got a chance to hang out and chat before we left the hotel; our tables were nowhere near each other, and we basically saw each other as sleeping shapes in the bed for most of the con. We bonded over the game of “Who Directed This Warner Bros. Short?” as we packed, then chatted on and off as we rode the subway through a series of insanely brutalist stations to the airport.

I have several hours of airplane ahead of me now. I’m going to be so damn glad to get home.

sequel sales

Well. This is interesting. I just looked through my records to get an idea of how many copies of Rita 1 and 2 to stick in my suitcase for SPX.

ECCC 2014: 20/ na (R2 wasn’t printed yet)
RCCC 2014: 12/7 (5 bundles)
APE 2014: 11/6 (6 bundles)
Sasquan: 12/12 (8 bundles)
ECCC 2015: 13/14 (9 bundles)

And that tells me two things. One, that at most cons I sell about twice as many copies of book 1 as I do book 2. Unsurprising, as I’m not the only person who’s seen that kind of drop-off for sequel sales.

But wow. Sasquan moved the same amount of both books. And Emerald City is amazing: I moved more copies of book 2 there than 1. And a third of those were either returning fans, or folks who bought book 1, then came back the next day and got 2 after loving 1 overnight – I get that every other con or so.

I’m definitely doing something right here. I think I’ll bring about 20 of each book to SPX.

inflation: a modest proposal

Problem: tons of money is concentrated in the hands of about 1% of the American population, who have largely taken it out of the American economy.

Solution: Start creating money at a higher rate, deliberately designed to create inflation. At the same time, we instigate a basic income for all Americans; the size of this income is not defined as a dollar value, but rather as a percentage of all of the dollars in existence. Possibly with some kind of relationship to some kind of measure to the cost of living – renting a 1br apartment in the most expensive city to live in, for instance, if we want to be really aggressive.

So the value of the dollar drops into the ground. That’s fine, because everyone is getting a basic income guaranteed to have about the same amount of purchasing power no matter what. And the money that the 1% are sitting on rapidly becomes worthless; eventually everyone is getting the amount of money those folks are sitting on every month.

Disclaimer: I am stoned as fuck right now. Feel free to discuss exactly why this is a terrible idea and how it could be better. Take as given that I have mind-controlled the POTUS, Senate, and the Congress, or some other equally unlikely method of making it happen despite the way folks with tons of money will be fighting against this happening.

Parallax: the finished pitch.

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Done. I’m printing two copies of this as I type. They’ll go in little plastic report covers, one with the Federacracy material first, one with the Union material first.

Sunday morning, I’ll give them to the folks Nickelodeon is sending to SPX. Maybe with a copy of Rita 1/2 to prove that I can tell compelling stories. Maybe just with a couple copies of the Rita fliers full of glowing quotes. And at some point soon I’ll probably send a digital copy of this to my contact at Cartoon Network, as well.

That show pitch is almost done.

0 Parallax_landscape titles

Parallax-synopsys

I think this is really starting to shape up nicely. Two characters need fleshing out, the Spinward by Candlelight needs some windows on its lower half, the Whalesong needs a drawing, and maybe I should figure out what the Union fighter ships look like and draw them along with the Federacracy’s Tactical Pants. I’m sort of thinking maybe something that looks like a torso with arms so they can combine with the Pants when some kind of Outside Context Event makes them have to join forces. That might be too obvious, though. I’ll have to doodle around and see if it works. Other suggestions welcome.

Also a handful of episode synopses, including my ideas for the overarching plot that continues across seasons. Then I just print it out and stick it in a couple of presentation folders (one for each side, naturally) and it’s done. And I can get back to Rita.

Big thanks to Nick for suggesting that maybe the Union should be a bit goth, and kind of creepy-cute.

your adobe illustrator lesson plan

Someone on /r/adobeillustrator posted an image and asked what parts of the program they should explore next. I ended up giving a list of most of Illustrator’s major features, ranked by how I think about them and how I sort of see them in different levels of complexity:

core stuff: global palette swatches, flat-color shapes with the pencil tool (double-click and play with its settings, the defaults suck), layer organization, draw above/below/inside (and clipping masks as well), transparency. Also of course all the basic shape tools and the pen tool (never turn more than 90° between two points, pull curve handles out to about 1/3 of the length of the curve segment they control, avoid s-curves between two points).

finesse: gradients, blurred shapes, line blends, pathfinder (I almost always hold the alt key when visiting that palette to keep my source paths live), play with bitmap effects and find 2-3 that don’t mostly suck (I find most of them to be kind of ugly, but I love using a soft/hard light mezzotinted rectangle at the top of the layer stack to apply texture to my work, also blurs can be super useful), line width.

don’t repeat yourself: blends, art brushes, scatter brushes, maybe symbols though I rarely use them, pattern fills. each of these is a powerful way to make complicated work quickly; each of them is the right tool for the job sometimes. play with them, learn their quirks, learn when to use one over another.

your invisible assistant: distortion meshes! Make a 1×1 d-mesh, then use the perspective mode of the free transform tool, maybe push the mesh points around a little more, and voila, something complicated in perfect perspective.

advanced: funking up your paths with live effects, layering multiple fills/paths/effects in the appearance palette, saving them for later use. I’ve been doing this a lot lately, as I find ways to make a faux-painterly look that is still clearly not “fake painting”, and renders quickly as my comic book pages get more complicated.

stuff i never use: gradient mesh (too fiddly, doesn’t play well with global swatchs), charts, autotrace.

And maybe that’s the outline for the book on Mastering Illustrator that I’ll probably never write.