PAINGRUNT

Today in circus strength & fitness class we did burpees. Then we did something even worse. Something known simply as “Russian Abs”.

They were brutal and horrible and my inner sadist wants to make me do some every fucking day.

1. Lie on your back, arms and legs straight. Arms are above your head.
2.Lift your arms and legs slightly off the floor.
3. Keeping your legs off the floor, lift your torso up towards verticality.
4. Go back down to 2; repeat 3/2 two more times.
5. Do 3/2 again, except lifting your legs up and keeping your torso slightly off the ground. 3x for this, too.
6. Lift arms and legs together. Yeah. Good luck with doing this once, lay alone three times.

You’re not done.

7. Roll onto one side. Stretch arms and legs out. Keep them just off the ground.
8. 3x: lift arms/torso.
9. 3x: lift legs.
10. 3x: lift arms and legs. Consider weeping.

11. Roll onto the other side. It must suffer identically.

12. On your front. One last time. Same as the first round except you’re on your belly bending backwards, instead of on your back bending forwards.

13. Weep openly. Embrace Mother Earth; be thankful for her support. You are done with the horror of Russian Abs. You may want to lie to your body and say you will never do them again.

This is what I signed up for. I hate my past self.

Also it turns out that the school is going to be closed on the day I was planning on skipping the Strength & Flexibility class for my impulsive trip to the desert. Yay!

some things that happened

Yesterday, I went to the comic shop and bought a couple of short boxes for comics. All of my comics are now in them. In order. I also decided that, you know what, none of these are ever going to be worth anything, and the stupid mylar sleeves make it harder to read the things. So I have a pile of mylar sleeves that need to be tossed sitting on top of the comic boxes.
(I feel like I need to find somewhere to put the comic boxes besides ‘at the foot of the shelves’; they look really janky compared to the nice orderly shapes of the bookcase. Probably they’ll end up somewhere in the closet, or maybe behind the beanbag chair. Dunno.)

Nick came over in the evening and we went out to dinner at Liam’s, on my mom – she’d sent me some money for Christmas to be used for this purpose. It was tasty and delightful.

In the morning, I had breakfast with Nick, and we chose a date for the trip I’ve been kicking around. I now have two tickets to Salt Lake City, bought mostly with frequent flier points. We’ll deal with hotels and car rental as we get closer. But this is a definite thing that’s going to happen now!

And then I just kinda puttered around the apartment reading the internet and playing video games. When I went out to Trader Joe’s for something for dinner they were playing the Super Bowl over the store speakers; that was pretty much my entire contact with that. I realized around ten that I hadn’t heard a bunch of people hollering SEEE HOOOOOOOGSSSS outside like I did last year, so I guess they lost. Which, honestly, will make life as a non-sports-caring-about person easy.

I should make sure to get some work done on Rita tomorrow. Plus of course going to strength/flexibility class at the circus school.

Spring cleaning.

Today, I woke up early. Early enough to go do yoga but I blew it off because of a small website weirdness that needed fixing.

Soon after that, I found myself looking for a particular book in my library. “Unauthorized Portraits”, a collection of Edward Sorel's work. I couldn't find it. I ended up going through all the piles of books and comics sitting in front of the shelves, waiting to be put in place, and finally doing just that. I held myself to my promise to not get more shelves when the current ones got full; the pile of books that was destined for the used bookstore has grown. And is now in the studio in several boxes, waiting for the next visit from Nick – I proposed renting a car to take them around a few used bookstores, then to take us to dinner, and he thought that sounded like a good idea.

In the middle of this shelving frenzy, I found myself in the studio, glaring at the “books to read” pile next to the reading chair. One of that chair's legs broke a while back, and I haven't gotten around to getting it fixed, so my “to read” pile has been growing out of hand. I now have the chair sitting upside down near the door; after determining that I was not going to be disassembling it and attempting to bodge the broken leg on, I put the folding chair where the reading chair lives.

I will have to call a carpenter to get the thing somehow fixed soon. Because it's a lovely chair that I got for a fraction of what something as stylish as it normally goes for. But right now I am sitting in the Reading Spot next to the window in my backup folding chair, and I just finished going through several volumes of BPRD: Hell on Earth that are overdue at the library.

I need to get a small longbox to put my comics in, and there are still a few books kicking around, but the ecosystem around me reading is in much better shape. Which will help make me happier. And make it easier for me to sit down with research materials for Drowning City

I did not get any art done but damn, today was definitely a day full of some work that had been put off for far too long. I am not completely done shaving this particular yak – chair repair and a comics box need to happen – but two cluttered, dysfunctional corners of my apartment are now USABLE again.

Ozymandias

ozymandias---1
ozymandias---2
ozymandias---3

I just got Sanjay Patel’s lovely adaptation of the Ramayana. Lengthy narrative in a super-designey flat color mode? That’s my happy place. Right there.

Looking at it and thinking about adaptations, plus thinking about the Monument Valley trip I’m planning, plus having just decided I want to memorize ‘Ozymandias’, combined into “I will do a test of my templates for Drowning City to do an adaptation of Ozymandias, starring George Herriman as the nameless traveller who tells Shelley about this evocative remnant.”

 

I need to think a bit more about what exactly is going on in the passage about how well the head’s “sculptor well those passions read / Which yet survive, stamped on these lifeless things, /The hand that mocked them, and the heart that fed;” before I commit to the panels I sketched around it. Whose hand and heart, exactly? Ozymandias’? Someone else? I threw Kalinda into those panels as some kind of fabulous monster Ozymandias’ forgotten deeds involved him slaying, it might be fun to have her in some sort of weird relationship with Ozymandias in the rest of them. (Also that is intended to be a humanish version of her in the last panel, telling Shelly to stop bogarting the opium. I definitely feel this could wind through the whole story…)

I have a sudden desire to memorize Shelley’s “Ozymandias”.

I met a traveller from an antique land,
Who said—”two vast and trunkless legs of stone
Stand in the desert… near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lips, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal these words appear:
‘My name is Ozymandias, King of Kings,
Look on my Works ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

Its nihilism will be, I think, a pleasing counterpart to the aggressive lack on meaning that is “Jabberwocky”, the only other poem I’ve bothered to memorize.

 

I am cooler than I ever thought I would be as a kid.

Today, I went to the comic book shop and traded some copies of the comic books I made for the 5th Edition D&D Player’s Handbook and Dungeon Master’s Guide. I mean really. How rad is that. Twelve year old me would be amazed that I can actually draw well enough to make a trade like that. (And even more amazed if I told him that the day before, I got $90 for finishing a single page of my comic.)

Then I went to circus school and, as I expected would be happening sometime in the first few weeks, found myself really hating my past self for signing myself up for this. But I’m pretty sure that if I can tough it out for a few weeks of building muscle, future me will be very grateful to current me when she, like, grabs ahold of a rope, slithers up it without a care in the world, and poses gracefully.

Also future me will be generally happy at having a body that is in shape. I’ve had that in the past thanks to burlesque and pole dance; I kinda stumbled into it by utter accident and it turns out it’s really nice to be in shape. I never imagined. So yeah. Fuck you, past me. But you’re welcome, future me.

(I actually say things like that out loud sometimes. It may or may not help with making it easier to do stuff like ‘gruelling exercises’.)

I also got to stop on the way home to have a sandwich, and eat it in a waterfront park, looking out at the brightly-lit Ferris wheel and the gently twinkling lights of… I dunno, whatever the hell is across the sound from downtown. Bainbridge Island, judging from Google Maps. I like living in Seattle, it’s pretty when the sun’s not hiding for days on end.

And I also played with the new version of that use-my-ipad-as-a-cintiq program I’m in the beta test for. I need to fiddle with it a little more and write up my reactions to its UI changes. Maybe tomorrow.

 

Big projects.

Some things I've learnt about doing large projects over the course of doing Rita.

  • Begin with an end in mind. It's very useful to have a narrative goal to be aiming for, and to have a point in the future where you are finished. Things may change, you may not arrive at that end from the direction you thought you would, you may come up with a better ending to aim for halfway through – but you're aiming somewhere instead of just flailing about aimlessly.
  • Don't stress about schedules, but don't abandon it. If you're at a point in your life where all you can dedicate to the Huge Project in one day is a half hour, that's still a half hour of work that you're closer to the end. Sure, four solid hours of work would be a lot better – but a half hour is still tons better than nothing. Working on Rita has been much easier ever since my official schedule became “aim for two pages a week, don't fret if life gets in the way”; it frees me from traps like spending the precious little energy I have during down phases on making a page whose entire purpose is to HAVE A PAGE UP ON SCHEDULE, even if it's just a drawing of a sad person apologizing for no page.
  • The easier it is to work on it wherever, the better. I'm told that Sergio Aragones draws his stuff on typing paper stuck to a clipboard; this means that he can work on an issue of Groo anywhere, even in a seat on a full airplane. I haven't reached that ideal quite yet, but I'm getting closer; much of Rita happens in my studio, but a lot of it also happens at coffee shops, in parks, even on the bus.

These are the principles that have let a complete slacker with no discernible work ethic like myself get a dense, 200p graphic novel done all by herself. Other people might have taken less than four years to do it, but I don't care. I've spent the time and energy my highly distractable, intensely solar-powered nervous system allowed me to spend on it, without ever turning a passion project into drudgery and an obligation.

oops maybe vacation

A friend is debating moving from Arizona to Seattle. Telling them some of my thoughts on living in Seattle as a very solar powered person somehow became me talking myself into taking a desert vacation. To Monument Valley, specifically – I’ve wanted to visit there for most of my life, ever since falling in love with the caricature of it Herriman set “Krazy Kat” in.

I couldn’t do it by myself; it’s really a destination that requires driving to get around. But I think I may have just managed to propose a weekend trip to my ex-with-benefits, who does drive. And I have enough points piled up on Southwest that we could fly to Salt Lake City, which is only about a 6-hour drive from there. He’d proposed just driving but that’s about an 18 hour drive each way, over nasty wintry mountains, sort of over the edge of what’s quite sane.

Will this stoned impulse turn into a brief “charge up on solar power” vacation? We will see.

More events in a sequence.

Stuff I did today:

I joined a hashtag going around on Twitter. #fourcomics that were important to you as a creator/fan. I couldn’t keep it down to just four so I posted twice:

Asterix, Little Nemo, Mage, Particle Dreams Amethyst, Krazy Kat, Hellboy, Atari Force

Thrice, actually, if you count me wondering if the Smithsonian Book of Newspaper Comics counted as one. Because man that really shaped my interest in the wild stuff done at the beginning of the 20th century back when people were making up the rules with entire broadsheets to play with.

And then I sprawled on the floor of my studio reading some of these, thinking about how more than a few of them were larger formats than the standard “comic book” size the American industry has settled on. Even the Howarth example I chose was slightly oversized, and had some beautiful examples of full-page designs going on, especially in the “Mad Empress” stories. This lead to pondering page formats for “Drowning City”; I’ve been trying to find the right shape for it, and I think I have arrived at “8×12 book, held sideways, so you see one big page at a time”. I shot off a quote request; if I can get that with lay-flat binding in paperback at a reasonable price, then that’s the shape of what I’ll be spending the next few years working on. (And I am kind of amazed that I’m casually making decisions like that. When did I start taking that long a view of my work?)

Ultimately I keep coming back to the thought that the climax of the story involves falling, and I want to be able to do some very vertical compositions to work with that. I scribbled down some other ideas of things to do with a One Big Page At A Time aesthetic that I think will contribute to the story; I even have ideas on which parts of the story I want to use these for. I may post some of these (plus some of the various doodles in the current Drowning City sketchbook) soon.

(Part of me wants to do something even bigger but (a) expense and (b) man it’s really hard to READ those full-size Nemos. Part of it is due to the way they were written to be read once a week, part is due to the fact that McCay’s plot and dialogue are really just excuses for him to draw whatever crazy architecture he’s obsessed with at the moment. But part of it is due to “holy shit this hardback book is half my height”.)

Discussion on someone else’s four comics post turned me on to Nicolas de Crécy, who I think I need to check out. Foligatto and Celestial Bibendum were suggested as entry points to his work.

 

I then went out to the dentist and had a little bit of drilling and filling, and a lot of cleaning, happen. Did you know that if the light’s just right, you can see a wisp of particulate tooth enamel coming out of your mouth when they drill? Did you know that it has a uniquely unpleasant, slightly burnt scent? I did not know this until now.

And then I wandered downtown to have a late lunch and hook up with the exes for a movie. I had an hour to kill so I wandered through Barnes & Noble, and picked up a couple of books on Celtic myth, which I may be mining for weird little bits and bobs for “Drowning City”.

And finally, the movie. “Inherent Vice”, based on the Pynchon novel of the same name. We all enjoyed it; Nick was a bit worried because he’d noticed that it had the fewest stars of anything playing at the theatre, but all the reviews were bad in a way that suggested it was simply Not For those people. We were perfectly prepared for a stoner noir picture that never really laid out the crazy conspiracy running through it; if you go into that movie expecting to actually understand the labyrinthine affairs of the Golden Fang, you will be disappointed. But if you expect a bunch of really kind of insane people wandering around 1970s Los Angeles, you will get that. In spades.

I had a few moments of LA nostalgia. Unsurprising, really. Living in LA was complicated and stressful and kind of horrile in some ways, and I’m nto about to go back down there and try to hop into the animation industry again, but it can be gorgeous.

Anyway. Guess it’s about bedtime.