SPX 2015

Well. This has been a very different con from what I’m used to.

It’s a small show. Bigger than most furry cons that are not Anthrocon, but smaller than most of the comics shows I do. (And of course my standards there are skewed what with one of the five biggest comic cons in the US being my hometown con.)

But I sold like crazy. I brought twenty copies of each volume of Rita; I sold out of volume one around 2PM on Saturday. Which was three hours after the dealer’s room opened. This is a crazy outlier compared to all the other cons I do; normally I’d be bringing some of those things home with me, I sold most of the twenty copies of v2 I brought as well; I think I have like maybe eight at most sitting on my table right now. And one Tarot deck out of what I brought left.

Walking around the show during setup was interesting. Very strange to walk around a comics con and not see any walls of Marvel/DC fan art. I saw one person affixing a Spider-Man balloon to the top of their sign as an eye-grabber, and later I saw a few bits of what might have been Fifth Element fan art at one table. But largely it was people selling their own creations, and, if my sales were any guide, people buying those personal works in volume. I will probably be applying for 2016. And I will be shipping a lot more books.

Then I got to go to the Ignatz awards and see my room-mate fail to get a brick for ‘Best Online Comic’. Welcome to the club, Blue; there will probably be a few years to go until you sweep the Ignatzs, or some other award, with ‘best new creator’ and a couple other works. And then I hit the dance, about which the best thing I can really say is that it made me really realize what one of the things is that I’ll miss if I never do another furry con again – furries put on amazing raves, in big ballrooms full of people dancing in crazy light-up costumes, with fandom DJs who have a huge collection of high-energy electronic dance music and a fine sense of mixing for the crowd. This was… well, once the DJs changed it was okay, but it was smaller than some dead dog parties I’ve been to at furry cons. Furries know how to party.

I’m writing this on Sunday morning. I’ll probably hold down the table working on Rita, and maybe selling a few v2 to people who only took a chance on 1 and devoured it last night. I get one or two of those most cons. But first I need to go have breakfast and have my fifteen minute long pitch meeting with Nickelodeon, who’s actively soliciting them here. Will they be interested in my show? Who knows. The best I’m really hoping for is “holy shit this is neat but it’s so far outside of what we could ever do, sorry, good luck!”. Unless they are secretly looking for something to compete with the several continuing shows over at Cartoon Network.

…A bit later. They were interested in my pitch, but they are explicitly looking for proposals for 2-3 minute cartoons. I have a week to figure out how to fit the basics of the whole setup into that much space, and send them an outline. I went and sat out in the sun with a bagel and some water in the time between my pitch and the show floor opening; I now have a first draft of a cartoon, based on their suggestion of having the two teams compete for something, and Kin’s idea from last week of having one of the first episodes on both sides be a rescue, so as to establish them both as Good Guys. When I get home I’ll see how badly it fits into the alotted time, and decide how many optional things I have to leave out and how many essential things I have to grit my teeth and cut.

Now I am sitting in the dealer’s room for the second and last day. Not really bothering to try and pitch anyone very hard. I may get up and wander some, possibly even buy a few comics? Wish I’d brought more merch. Next time.

…Later, in the airport. Scott McCloud stopped by my table and said hi during his swing through the dealer’s room. SENPAI NOTICED MEEEEEE. Nothing much else interesting. Blue and I finally got a chance to hang out and chat before we left the hotel; our tables were nowhere near each other, and we basically saw each other as sleeping shapes in the bed for most of the con. We bonded over the game of “Who Directed This Warner Bros. Short?” as we packed, then chatted on and off as we rode the subway through a series of insanely brutalist stations to the airport.

I have several hours of airplane ahead of me now. I’m going to be so damn glad to get home.

sequel sales

Well. This is interesting. I just looked through my records to get an idea of how many copies of Rita 1 and 2 to stick in my suitcase for SPX.

ECCC 2014: 20/ na (R2 wasn’t printed yet)
RCCC 2014: 12/7 (5 bundles)
APE 2014: 11/6 (6 bundles)
Sasquan: 12/12 (8 bundles)
ECCC 2015: 13/14 (9 bundles)

And that tells me two things. One, that at most cons I sell about twice as many copies of book 1 as I do book 2. Unsurprising, as I’m not the only person who’s seen that kind of drop-off for sequel sales.

But wow. Sasquan moved the same amount of both books. And Emerald City is amazing: I moved more copies of book 2 there than 1. And a third of those were either returning fans, or folks who bought book 1, then came back the next day and got 2 after loving 1 overnight – I get that every other con or so.

I’m definitely doing something right here. I think I’ll bring about 20 of each book to SPX.

inflation: a modest proposal

Problem: tons of money is concentrated in the hands of about 1% of the American population, who have largely taken it out of the American economy.

Solution: Start creating money at a higher rate, deliberately designed to create inflation. At the same time, we instigate a basic income for all Americans; the size of this income is not defined as a dollar value, but rather as a percentage of all of the dollars in existence. Possibly with some kind of relationship to some kind of measure to the cost of living – renting a 1br apartment in the most expensive city to live in, for instance, if we want to be really aggressive.

So the value of the dollar drops into the ground. That’s fine, because everyone is getting a basic income guaranteed to have about the same amount of purchasing power no matter what. And the money that the 1% are sitting on rapidly becomes worthless; eventually everyone is getting the amount of money those folks are sitting on every month.

Disclaimer: I am stoned as fuck right now. Feel free to discuss exactly why this is a terrible idea and how it could be better. Take as given that I have mind-controlled the POTUS, Senate, and the Congress, or some other equally unlikely method of making it happen despite the way folks with tons of money will be fighting against this happening.

Parallax: the finished pitch.

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Done. I’m printing two copies of this as I type. They’ll go in little plastic report covers, one with the Federacracy material first, one with the Union material first.

Sunday morning, I’ll give them to the folks Nickelodeon is sending to SPX. Maybe with a copy of Rita 1/2 to prove that I can tell compelling stories. Maybe just with a couple copies of the Rita fliers full of glowing quotes. And at some point soon I’ll probably send a digital copy of this to my contact at Cartoon Network, as well.

That show pitch is almost done.

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Parallax-synopsys

I think this is really starting to shape up nicely. Two characters need fleshing out, the Spinward by Candlelight needs some windows on its lower half, the Whalesong needs a drawing, and maybe I should figure out what the Union fighter ships look like and draw them along with the Federacracy’s Tactical Pants. I’m sort of thinking maybe something that looks like a torso with arms so they can combine with the Pants when some kind of Outside Context Event makes them have to join forces. That might be too obvious, though. I’ll have to doodle around and see if it works. Other suggestions welcome.

Also a handful of episode synopses, including my ideas for the overarching plot that continues across seasons. Then I just print it out and stick it in a couple of presentation folders (one for each side, naturally) and it’s done. And I can get back to Rita.

Big thanks to Nick for suggesting that maybe the Union should be a bit goth, and kind of creepy-cute.

your adobe illustrator lesson plan

Someone on /r/adobeillustrator posted an image and asked what parts of the program they should explore next. I ended up giving a list of most of Illustrator’s major features, ranked by how I think about them and how I sort of see them in different levels of complexity:

core stuff: global palette swatches, flat-color shapes with the pencil tool (double-click and play with its settings, the defaults suck), layer organization, draw above/below/inside (and clipping masks as well), transparency. Also of course all the basic shape tools and the pen tool (never turn more than 90° between two points, pull curve handles out to about 1/3 of the length of the curve segment they control, avoid s-curves between two points).

finesse: gradients, blurred shapes, line blends, pathfinder (I almost always hold the alt key when visiting that palette to keep my source paths live), play with bitmap effects and find 2-3 that don’t mostly suck (I find most of them to be kind of ugly, but I love using a soft/hard light mezzotinted rectangle at the top of the layer stack to apply texture to my work, also blurs can be super useful), line width.

don’t repeat yourself: blends, art brushes, scatter brushes, maybe symbols though I rarely use them, pattern fills. each of these is a powerful way to make complicated work quickly; each of them is the right tool for the job sometimes. play with them, learn their quirks, learn when to use one over another.

your invisible assistant: distortion meshes! Make a 1×1 d-mesh, then use the perspective mode of the free transform tool, maybe push the mesh points around a little more, and voila, something complicated in perfect perspective.

advanced: funking up your paths with live effects, layering multiple fills/paths/effects in the appearance palette, saving them for later use. I’ve been doing this a lot lately, as I find ways to make a faux-painterly look that is still clearly not “fake painting”, and renders quickly as my comic book pages get more complicated.

stuff i never use: gradient mesh (too fiddly, doesn’t play well with global swatchs), charts, autotrace.

And maybe that’s the outline for the book on Mastering Illustrator that I’ll probably never write.

Hunter and Bard

hunter-and-bard

 

Nick came over and visited yesterday. He’d just gotten back from a visit home, so things were pretty low-key. We went for a walk in Ballard, then came back and sat in front of the projector all evening. An attempt at legally watching the latest episode of Steven Universe was thwarted by the joys of DRM (thanks for not buffering worth a shit, Amazon Instant Play!), so we ended up just hanging around while I played Bloodborne. I repeatedly failed to kill The One Reborn while Nick acted as my bard, playing gleefully inappropriate music and making the occasional comment on tactics, or on errors I was about to make.

I did not manage to succeed at killing this boss last night. But I drew this. Then when I got up this morning I turned on the PS4 again and killed it on the third try. Hooray for training montages!

(The characters are, of course, one of the OTPs of our various typesex characters. Kalinda the former-cobra-now-archaeopteryx is the foolhardybrave Hunter, and Noelle the unicorn is her bard.)

an alternate history, suddenly realized

In 1976, my parents and I took a trip to Washington, DC. We did the Smithsonian, we saw 4th of July fireworks from the Capitol grounds. It was a pretty cool thing to do for my fifth birthday.

What I only found out much later was that this trip had another purpose: my father had been offered a job at NPR, building out their network, after doing a great job getting the New Orleans classical/NPR station going around the same time my mother was pregnant.

Ultimately they decided against it, preferring to stay in New Orleans.

The thing I just realized: One of the things I often suspect may have been a contributor to my being trans? Drinking New Orleans tapwater. Sure, they filtered out the poop. The stuff they knew was bad. But we are talking about water that comes at least partially from the Mississippi. Which I lovingly refer to as “the cloaca of the nation”. Rivers in more than half of America flow into it. And everyone dumps their effluvia into their rivers. I grew up drinking a crazy soup of all of the industrial runoff of most of the country.

I mean, from what I hear the Potomac isn’t that clean either. But it’s only draining from four of those tiny little Northeastern states. There are less opportunities for someone to pour industrial runoff into it.

So in the alternate world where they decided to move to DC… did five years of not drinking all the stuff in the Mississippi result in me not needing to transition? (I started to get the first rumblings of it around eleven.)

I’ll never know, of course. And I don’t blame my parents for deciding to stay put; they made the decision they felt was best for themselves and me with the data they had. Still. That’s a heck of a question to suddenly ask myself.

Boot Quest 2015: The finalists.

Winter’s coming. And I’ve been needing some new ankle boots to replace my beloved but dead ones. So I went hunting around. In the end it came down to two pairs of boots I found on shoes.com. I ordered them; they came over a couple of days as two separate packages.

TWO BOOTS ENTER. ONE BOOTS LEAVESBoot Quest 2015BOOT-QUEST-2015-part-2

 

On the left, we have the Josef Seibel Tina 42 in black. On the right is the Rieker Peggy 98 in dark blue.

The Tina is comfortable. The Peggy is a little big; I’d have to return it and size down if I was going to go with it. It’s also got this incredibly comfy soft fabric interior that makes me feel really happy to put them on.

Shape-wise, I think I like the Tina a lot more. The small heel and the pointy toe make a great silhouette. I would really like them both a bit more if the top was a little higher; my old boots go up a couple of inches higher. Leggings plus boots looks a lot better when there isn’t a gap of naked ankle flesh on display, in my opinion.

I’m not ecstatic with either pair, to be honest. But fall is sporadically happening and I need boots.

Alternatively I could make another attempt at having my beloved Steve Madden boots resoled. They are ludicrous things covered in spurious belts with excess bling and I just love them. I tried getting them resoled but they quickly began separating at the heel.

Evernote Snapshot 20150910 134301

 

I mean really. Look at that monstrosity next to these other two. It says FUCK YOU I’M A WITCH. Not that the little black Tina doesn’t have witch cred either.

I dunno. Today it’s sandal weather. I can let the back of my head mull this over a while longer.

mopes that I have

When sorting through the pile of clothes I washed yesterday so I can get dressed for the day starts to feel like a huge, unsurmountable challenge, I am probably kind of depressed.

I’m pretty sure this is coming largely from still dealing with my mother’s death. Both emotionally and otherwise – I still have a bunch of bureaucratic stuff that needs doing. A lot of it got put off for a while because the funeral home took forever to get the death certificates to me, and the stuff that needs those has just been… sitting… in a circle on the floor near my work desk, reminding me that it needs doing. And just looking at each of those piles and figuring out what to do next feels like a huge, overwhelming task every time I look at them.

Having Rita stalled out about four pages from the end isn’t helping my mood, either. I can’t really commit to any new projects until I finish it. But I don’t want to just sit down and finish it. In part because – and is this a surprise? – I want to fill in one of the last few empty timelines in the climactic spread with something relating to my mom. So again it’s something that involves confronting this big void of misery and loss head-on before I can deal with it.
Blah. I guess I’m going to try and make myself sort through this stupid pile of Bureaucratic Mail and at least label everything with the next action to take, so I can pick them off one at a time and deal with them. Or something like that.

 

Oh yeah. And I’m probably also at a low energy level this morning because of burning my hand while trying to make a steak by myself last night. Some drippings splashed while I was turning it over. I got it cooled down fast, it’s not a Serious Burn or anything, but it’s definitely an injury that my body is going to want some time to heal.