The Problem

Trading card for Ethan’s new book. The Problem has a family curse involving a giant angry mass of meat and teeth. Illustrator, 2.5h.

 

I think it is very important that you know there is a graphic style in this named “problemeat”.


Here’s the hilariously crappy sketch I started with. Sometimes my roughs are better. Sometimes they’re not. Attitude and composition are what matter when I already know what the character looks likr, not precise anatomy.
And here’s the outlines with the bg/banner turned off. As usual most of the shading happens automatically via the very complex graphic styles:

I just draw shapes and Illustrator fills them in with texture and half-assed shading instantly. Then I add broader shadows over them and maybe tweak the shapes and/or the styles, until I think it’s done.

unstuck in time

This morning, when I woke up, I felt like a very, very long time had passed since I went to sleep. Like years or more. I didn’t recall anything more than maybe the vaguest wisps of dreams, so it’s not as if there’s years of experience here. Just a sense of… time has seriously passed.

This is the second time this happened this week. It’s never happened before. Every time I’ve gone to sleep and woken up, I’ve felt like about a night has passed. It’s like I have two internal clocks that have been in sync for my entire life, counting two different kinds of time that have always been in lock-step, until one week when things just started to slip.

Is something wrong with my brain? Is this just a momentary glitch that’ll go away? Are my studies in magic getting to the point where I’m going off on the astral plane for years and years of experience outside of my normal timeline, and I’m not able to remember them yet? Did I rewind myself to the earliest point I could reach after our increasingly-erratic President pushed the global thermonuclear war button? Am I just getting old?

I don’t know. All I can do is keep track of this experience and ask if this is a symptom of anything. Or maybe it’s a totally normal thing that some people get all the time and I’ve just never had it before for some reason.

And as icing on the cake, when I got up and looked at myself in the bedroom mirror, I looked like a different person. Like my skull was a little skinnier than normal. Like I was… vaguely elfin. That’s never happened before. It’s passed, my reflection looks like it always has now.

Weird.

The Parting Of The Veil

Once a year, on Trans Day Of Visibility, cis people get a brief, furtive glimpse of the glories that lie outside of the gender binary. For them, it’s just a flicker. A vision that fades quickly. For us, it’s every minute of every day, if we want it to be. Sometimes we don’t. Sometimes you just wanna lounge around the house and pet the cat, y’know? Nevertheless.

Click on this thumbnail to see the truth.

This one took lots longer than it should have; creating an intertwine group while drawing the jewelry caused Illustrator to start crashing when I’d attempt to save, and I spent like two hours fighting against this until I finally decided to track down what the problem was. Guess I’m putting a big asterisk next to that feature in my head, it’s nice when it works but it sure can make some trouble when I use it with my insanely complicated appearance stacks.

I see the error banner on that screenshot of the outline view all the time in Illustrator. I suspect it happens because Illustrator decides that my massive files take too long to save a crash recovery snapshot of, so it decides I don’t need crash recovery for this file. Very helpful. Especially for a program that’s as unstable as Illustrator’s been getting the past few years. Luckily I learnt to save defensively long before the crash recovery feature existed. Astute’s “Autosaviour” plugin helps a lot by reminding me to save every ten minutes. I used to have it set to do that every half an hour but as time goes on I keep on turning that time down more and more.

Every Hundred Years Or So

This Saturday, I went to the No Kings rally here in New Orleans. Kermit Ruffins got up on the stage with a trumpet and started playing The Star-Spangled Banner. Slowly, the crowd started singing along. I joined in too.

And above it all, for a brief moment maybe I saw Columbia, but that was soon replaced by a vision of Uncle Sam, huge above the crowd, rolling up his sleeves and getting ready to fight. I’m too fucking old for this, but here we go again was the feeling I got, along with a distinct weariness, and an overwhelming sadness. Tears welled up in my eyes, and they’ve come back whenever I’ve talked about this.

Me and the spouse left not too long afterwards, we didn’t stick around for the march. But this image kept on hanging there in my head, and later that evening I opened up the computer and started working on this. I spent about three hours without a break on the figure, which is a little unusual – usually I take breaks every half hour, but this was burning in my head and needed out, I guess. Another couple hours today and it’s done.

Also, before you count, there are 50 stars on the Starstika And Bars flag, 13 red rays in the sky, and if Sam wasn’t in the way there would be 50 stars and 13 rays in the halo around his head.

Illustrator, 5h.

If you want to print this out for protest sign purposes then please feel free. If you want a higher-res copy for sticking up on walls or something them contact me. :)

Here’s a link to a 300dpi A1 copy (~2×3 feet, ~8 megabyte JPG) and should probably work for a lot of signs and posters. Send me a photo of it in action!

venus (wip)

So I have this file full of horny self-portraits. A while back I dropped a copy of Sandro Botticelli’s famous painting The Birth Of Venus into it with the intent of doing a self-portrait version as part of a charisma/beauty/glamour sell – what’s gonna be more attractive than sticking yourself in the middle of the most famous depiction of the Roman goddess of beauty and love that Western European culture has produced?

 

The other day I finally spent a while working over this, and got this far.

There’s a bit of a double entendre here that I couldn’t pass up; for the first fourteen versions of Illustrator’s life, its splash screen and icon was based on the same painting. So I added in a magic wand with the Astute Graphics logo around it, because a lot of the new features that’ve transformed my workflow in this program have been from their plugins, not Adobe. Adobe’s barely added anything for my needs; the past few years have been largely dedicated to typing words into a box, sending them to a server, getting back some AI image-generation slop, and auto-tracing that. Pretty much the antithesis of what I use it for.


Maybe I’ll finish this sometime soon, maybe not. I like how it’s going so far so I thought I’d post it here.

habits and resolve and refreshing of spells

Carnival’s over. Lent’s starting. Excess before ritually giving something up.

Which, really, it’s the same energy as a New Year’s resolution. What do you want to give up doing, what do you want to be doing more of? Not surprising now that I think about it, since Carnival is basically a Lunar New Year celebration.

I’m looking at the calendar on my wall, which is woefully empty of days I noted exercising upon during the past week. And I’m standing here at my computer with a sport bra on because I am about to exercise, and I’m thinking about how several days of having my routine interrupted by parades and festivities is making all my habits stop; I’m consciously choosing to resume trying to exercise more days than not.

But first I find it important to go put this collection of beads and light-up trinkets I caught at Hermes on my bike, and finally clean up the headlight I got that came with dead batteries inside it and put that on there too.

Old beads, faded, nasty. The various blinky trinkets I had have been lost, one by one. The last one got handed to a small child who was driving her new battery-powered motorcycle around and was demanding it. I relented and let her have it, she clearly needed Hermes’ blessings for tha ything more than I do.
These are two years old, I think. They’ve seen a lot of weather.

This pillow normally sits atop the stool in front of my computer; the stuffed dragon lives on a bookshelf. But he’s been guarding these beads and trinkets that I caught out of the air last week at Hermes. When they hit the ground they lose a lot of the magic that was imbued in them by being thrown off a float by a drunk guy with a mask and a giant light-up H on his chest. If that’s not an authentic priest of Hermes I dunno what is.

 

And heres Falcor with his beads refreshed and a light-up foot firmly attached. And a new light in the front that’s firmly screwed on so it’s a lot harder for random tweakers to steal it when I’m parked in the Quarter.

I guess I should stop procrastinating on exercising now.

Wild Dave

A few years ago, I had an encounter. Walking home from the grocery store, I met a friendly orange cat. Outdoors, with a collar, and a tag that said something like “don’t worry I’m an outdoors cat” on one side, and bore a name on the other side:

Wild Dave.

Every time I’d pass there, I’d look to see if Wild Dave was there again. When I’d pass there with my spouse, I’d mention that this is where Wild Dave was and look for him, to no avail. Sometimes I sort of wondered if he was okay since it’d been a while. I think I’ve seen him one other time since then. He kinda became a legend to my spouse. That’s just a name to conjure with, y’know? Not just Dave but Wild Dave. What did this friendly orange boy do to earn this name? Was it just that his human friends recognized that this was a cat who was essentially untamable, whose territory happened to overlap with theirs? Was it an ironic name given to an ultra-domesticated boy? Was there some story in his past that earnt him the “Wild” addition? I’ll probably never know. The mystery sticks in my mind.

Today, my bike’s rear tire went flat while I was at the cafe reading, so I dropped it off at the bike shop a few blocks down, and walked home. My route took me past where Wild Dave lives but I wasn’t looking; I was reading about some open source drama on my phone. Until I heard a polite “mrap” from down by my feet. And there he was. Wild Dave, just casually coming up to me and sharking my feet as if he saw me every day. I bent down to pet him. Then I remembered I was carrying some snacks for the cats who live around our place, and, well, I couldn’t not: I gave Wild Dave some snacks. A car bounced through a pothole a second later and Dave bolted for under a nearby car; when he didn’t come back after a moment I picked up the snacks and looked around, and there he was across the street, in front of the house I suspect he lives in/under/around. So I crossed over and gave him those snacks again, and he rubbed up against my legs, and I petted him.

Rock on, Wild Dave. May your days be long and full of snacks and scritchies.

I dunno, I just kinda like that I am the kind of person who some cats just run up to and say HEY LADY HI, GOT SCRITCHIES, GOT SNACKS?

Escape

Illustrator, 21.5 hours.

Back in February, Sev asked me for a commission of their weaseltaur character. They wanted two pieces suitable for printing out at A4 or bigger and hanging in their office. Possibly to work as a dyptich. Possibly not. We kicked around a few ideas and ended at “weaseltaurs in libraries, one working, one running wild with hedge clippers”. I finally finished it up earlier this week, and let it sit a couple days before doing the final render – I didn’t want to be re-uploading multiple copies of print-resolution files, each with with one little thing I realized I still needed to fix. But now it’s done.

This is where the sketch ended up after a while. I’d actually drawn most of the main figure and its setting on the left side at this point, as well as a half-done version of the right figure, I didn’t think about how to link them up until after that.

I’ve been following Michael Whelan’s mastodon account, and enjoying the regular appearance in my timeline of great sf/f art with some early sketches and notes on the process, so when I was putting these two parts together I definitely asked myself “what would Mike do here to make this composition work as both a front cover and a wraparound painting”, the big swirl of “DATA CARTS” was definitely a result of that.

There’s a lot more sketch layers in this file but they get pretty incoherent due to the fact that I originally had a lot more space between the two artboards, there’s a lot of overlapping sketches that moved around with that. Especially all the red stuff in the middle.

This is a progress shot from pretty close to done. There’s a lot of stuff going on in here. It all just kinda evolved.

And here’s an outline view from a couple days ago before I did those last few little tweaks.. 7500 paths.That’s a lot. Illustrator was running pretty slow at this point, though I probably could have eked out a lot more performance by working on the laptop screen instead of the 27″ high-dpi screen on my desk. It was at a point where I needed to be able to step back and squint at the whole thing, though.

Something like 80% of paths have really complicated appearance stacks that pile up a bunch of strokes, fills, and effects on them. expand all of that stuff from virtual paths into actual paths and you get 72k paths, plus 6k bitmap images generated by putting some of those virtual paths through effects. Mostly blurs. All those overlapping rectangles are the bitmaps.

As usual I logged my time via hashmarks outside the canvas. When I started painting this I wasn’t sure it was gonna work a one single piece so I tallied things up separately; this is a good way to make sure I don’t spend all my time on one side and half-ass the other. When I decided to make it work as one piece I added the blue marks for things in the middle, and kept on roughly tracking where I was spending my time. I haven’t spent this long on a single piece in a while, even comics pages are usually faster.

A good chunk of the time spent on the middle was the Cat Portal. Shemp is taking a nap and creating a hole between realities for transit purposes, as cats are wont to do.

This was also inspired by Whelan; a while back he posted this piece of a crazy high-tech stoplight hovering in the sky, and I said “hey I like that idea and wanna riff on it”, so I doodled some new shapes over his shapes. Which was his process for this piece too, he regularly sees things in the blobs of paint left on the scraps of board he uses as palettes, and turns them into paintings he calls “palette gremlins”. I needed something besides “more bookshelves” to fill up the middle space, and this came to mind. Maybe I’ll turn this sketch into a final piece sometime too. Dunno. Right now I get to take a break and play some video games.

 

…but first I have to re-export it because there was a layer on when I exported the final that should have been off, and I only noticed it when writing this post. THERE’S ALWAYS SOMETHING.

Late last week, Tugrik died. Complications of Long Covid, so I’m told.

(That wasn’t his legal name. But it’s the name everyone in the furry fandom knew him by. Probably half his workplaces, too.)

Today I dusted off my account on Furrymuck, the social MMO he ran long before “MMO” was an acronym, let alone an abbreviation for “massively multiplayer online role-playing game”. Back then we all called them “muds” (multiple-user dungeons) or “mucks” (multiple-user chat kingdoms) or “mu*s” (multiple-user-whatevers), and they were all done in the style of the text adventure games of the time.

‘t park, d’. That I still remembered. Teleport to the sky above the park that’s the central gathering point there, and go down. Wave at the few people sitting around, connected. Check the bulletin board. Three new messages from K’Has, one of the other admins: the news of his death, with the cause. Directions to his rooms, where his character object would be found, never to be logged into again. And the details of a memorial service to be held on the muck later this week.

Teleport to a destination marked only by a database reference number. Go north a few time, through wide open plains, to a cavern lair. And there he was. Described like he was still alive. Still there. Nobody ever wrote a description of their character sleeping. Nobody ever wrote one of them dead. Well, almost nobody. I know it would have been possible to build a dynamic description that checked whether the player object was currently active, and returned different text when it wasn’t. And I’m sure that’s a thing a few people did here and there. I considered it but never did. And I’m sure someone wrote descriptions of their characters as dead for some bit of roleplay, or personal drama. But Tug did neither of those things. Like the vast majority of users, his description assumed he was there.

And now he’s not there, and will never be there again.

(Honestly he hadn’t been there in a while anyway, the laston command told me it’d been 47 weeks since he last connected. The mu*s are largely in the past for even the people who ran them.)

I sat there trying to remember how to create an object and give it a multiple-line description. I ended up looking through the manuals on Furry’s homepage. Once upon a time I knew this offhand, but that time’s long gone – back around 2012 I decided that I was done spending long nights co-writing horny short stories, a paragraph or four at a time, in turns. You really can’t share that with anyone besides its co-writer, and going back and re-reading them loses a lot of the magic. I wanted to spend my energy on comics instead, and that seemed to work out pretty well overall now that I look back on it.

I dunno if I’d ever been to Tugrik’s lair before. He’d been to mine a few times, there’s a few files in my logs directory with his name on them. But I’ve been there now, and I left

a black rose(#77471)

A hole in the world, shaped like a rose. Now and then its edges crackle with lightning.

Rest in peace, Big Blue. See you in the next world. -Peggy

next to a big blue dragon-horse that will never move again, along with a couple other objects others had left before me.

And now I’m gonna go off and cry for a while.

I’m Sure They’ll Listen To Reason

GAY WRATH MONTH STARTS EARLY THIS YEAR, MOTHERFUCKERS.

 

I was gonna work on some commissions or the comic today, I just submitted the comic for the Ignatzes and I really should get the last 3 pages of the current chapter drawn before judges start reading it, but instead I ended up sitting around at Envie doodling a Pride selfie kind of thing. Go figure. I was doing some low-key magic to try and convince the universe I’m gonna have a gallery showing of some stuff like this and sell real well and maybe that was part of why I felt compelled to do this? Who knows.

For the past few months, when I go to draw my fursona, I’ve been getting a humantaur instead. Four legs, four arms, often four boobs too. I don’t know what this means but I’m enjoying it even if posing all those body parts gets complicated, when this started she was sitting down on her rear haunches but once I said “hey what if I’m holding a giant fucking sword” it kinda had to become more dynamic. I think this is the first image I’ve posted here but I’ve got a few more in the pipe.

I wanted this as a big print on my wall so it’s up on Redbubble. If you want one, or a shirt or a shower curtain or something, then visit that link.

Illustrator, 3.5h.

Here’s a screenshot of an earlier version that I made so I could put it on Instagram without it murdering the aspect ratio, this one had a lot of “oh it’s done and I can post it, wait no it needs something else” moments.

All those opacity masks and embedded images are generated by Astute’s Opacity Brush plugin, which makes that *super* easy to do.