hallowme

This morning, I wandered through the local instance of the pop-up Halloween store. It was a lot bigger than I expected, possibly due to using space that the former tenant (a third-party Apple retailer) was using for their repair offices. This may have been related to my decision to spend an hour doodling my fursona as a Sexy Witch tonight. With an angry green cat in her lap because that has basically been Nick’s fursona around the house lately. Mostly. Furries are weird, okay?

I also finished two pages of Parallax that had been in the works for a while, and posted them to Patreon today. Which is always a nice feeling: yay, I get paid a couple hundred bucks more at the end of the month! Onea these days I might even start paying most of my rent from comics again.

Tomorrow: haul stuff to the convention center, set up for Geek Girl Con, which is this weekend. And next weekend is gonna be PatreCon, thanks to them impulsively running a contest to choose a few creators to give a free ticket and hotel stay, and picking my half-assed, sassy entry as one of the winners. (“Maybe I’ll learn something that’ll let me triple my patronage; maybe I’ll hit it off with someone who’s better at promotion than I’ll ever be. Maybe I’ll just end up sharing a drink with some of my LA animation friends and get a gig that’ll pay well enough to let me extend my financial runway a couple more years.”) I still feel really weird about this and wonder if there were next to no entries (it only ran for a half a week, and they asked applicants to do Something Creative to say why they should be chosen to attend but didn’t mark uploading a video/image/etc as mandatory; I nearly abandoned the application when I got to that, but just rambled for a couple paragraphs of text instead), or if my crazy obsessive drawings actually stood out from the pack. Who knows. Either way I was able to persuade them to comp a conference ticket for Nick as well (what with him saying he’d like to try and take over some of the stuff that’s not drawing; we’re going to attend talks scheduled against each other and take notes), and paid for a couple of airplane rides with the Business Account. I’ve also contacted said Animation Friends about sharing lunch/a drink/etc.

Anyway. It’s getting to be about bedtime, I think.

the pink hoodie

Now and then, some artist finds a really hilariously impractical piece of clothing, and draws one of their characters wearing nothing but it. And sometimes the combination of clothing and drawing is strong enough to become A Thing that circulates around the Internet for a few days.

Every now and then I end up drawing one of my characters in one of them.

The item in question is a short pink hoodie, with a huge half-circle cut out of the front. Kind of a bolero hoodie. It could probably look pretty good if it was accessorizing the right outfit, really; I feel that matching the claw polish to the hoodie went a long way to making it look less terrible. As did being a tease who’s deliberately not using it as an excuse for full frontal nudity.

The Hitch-Hiker’s Guide To Cartoon Adaptations

This morning I got stoned and decided that a galaxy-pattern catsuit under the bathrobe I still hadn’t bothered changing out of was a really good fashion choice for the morning. Then Nick said I looked like a far-future Arthur Dent who has truly become a hoopy frood who knows where his towel is. Because really, what is a bathrobe but a towel you can wear? He had it with him all along.

When he’s not travelling, that spacesuit is always with him. It probably converts into a useful backpack or something. Because after what he’s survived, there is no way Arthur would want to let that thing out of his possession. Ever.

 

In the shower I thought about this drawing as a pitch for a H2G2 cartoon adaptation.

 

* The spacesuit has invisibility capabilities; when Arthur’s not using it for that he has it just display whatever random imagery/video we feel like genlocking in there.

* The spacesuit can recycle his fluids into a substance almost, but not quite, entirely unlike tea.

* Perhaps it is the latest model of the Guide? Compacts into an easy-to-carry box of roughly Gameboy size when not in use. It does NOT have a Genuine People Personality. Nobody wants that when they’re floating alone in the void of space.

* Every episode starts cold with Arthur in some tranquil setting (possibly wherever he finished last episode), when suddenly, disaster strikes and he is, once again, floating in the cold void of space. He sighs, dons the spacesuit, and begins reciting something similar to the Litany Against Fear centered around the words “Don’t Panic”. Cue “Journey of the Sorcerer” or some imitation thereof, opening titles are a montage of bits introducing Arthur and the main characters of this episode with Arthur still floating in space waiting for the Thumb to say something’s in range. As the opening titles come to a close, there’s something detected; Arthur turns on the Thumb capability of his suit via a closeup on his hand making a hitch-hiking gesture. Music climaxes, smash cut to episode title as the music fades, then we rudely drop Arthur into the middle of whatever mess we’ve thought up for him to muddle his way out of this time.

 

“You’ve essentially just reinvented Doctor Who”, said Nick when I pitched these ideas to him. Arguably yes, though I feel there’s a big difference: the Doctor is good at solving huge problems like “an entire universe has been converted into Daleks, who are now invading this universe with the aim of turning it into even more Daleks” while Arthur is good at averting problems well before they get to that point, or just not being where they are when they happen. His primary skills are being that super chill surfer dude who is really, really good at staying calm in the face of crisis and helping other people de-escalate. He does not necessarily solve the problem he’s dropped into in every episode; sometimes he just ends up running.

Also another way this is different from Doctor Who is that the Doctor is not costumed so as to look like she’s naked under her bathrobe. Arthur is. Because nobody really takes you seriously as a threat when you look like you’re naked under your bathrobe.

preparing for eye pain

I just spent two hours making this happen in Illustrator.

It’s the safe version of this. If you click on this image, or on any of the other ones in this post, you’ll see a higher-res copy. I am not sure I recommend doing this.

I can now use these flat-color Graphic Styles to draw a whole bunch of assorted shapes in something akin to three-point perspective. Which would involve following this grid that I built in Illustrator before building the previous two images.

And hell, let me try a quick test drawing. Just some basic shapes following these perspective guidelines.

Alt-drag twelve swatches around and…

Yep. This is gonna work. I’ve got a lot of drawing to do, and this won’t work for every single part of the image – but I should be able to lay down a lot of it pretty quickly like this. I’ll end up with tons of hatching that precisely lines up with the perspective I’ve drawn the shapes in. I had to do some funky stuff to set all of this up and part of me thinks I should write it up, but I also spent two hours in front of the computer and think I need to run around some.

Illustrator has a three-point perspective ruler mode. I’m really not sure I’m going to bother with it; I feel like the time I’d spend figuring out how it works is going to be really close to the amount of time I’d spend just doing it the “hard” way. I learnt how to do hardcore perspective years ago, and I’ve forgotten most of it, but I think I remember enough to fake this. Should be fun!

Shared Wish

Today I wandered around with no real goal in mind. I had a book and I had my computer and I didn’t feel like working on the comics. Instead I drew some weird smut based on a fantasy that’s been kicking around my head.

NSFW art: explicit cartoon nudity, weird cartoon perversions, self-love.

Continue reading

Process: marker

Today I realized that I was a couple days past a deadline: I needed to do a couple of sketches that would be added to copies of a Kickstarted comics anthology I was part of. I don’t do physical work very much any more, so I figured I’d document my current process.

Now that I look over the whole process, I might go back and add the earring I had in the rough and forgot about. I should also either do the other sketch I have to do for this Kickstarter, or get some work in on Parallax – I spent half the day procrastinating on doing this drawing!

A Pleasant Cup Of Tea

click this tiny thumbnail for a definitely NSFW image

Who wouldn’t enjoy a nice cup of tea next to a hot tub on a nice evening? Especially when you’re sharing it with an old friend.

Another one of those commissions I took at the beginning of the month to try and get my work habits back in good shape. It’s been working. This one did interesting things to my attention span; it felt like it I was making no progress for most of the time I worked on it, despite it actually going at a steady pace. I’ve gotten so used to cranking out a full figure for a comics panel in a half an hour that drawing someone with enough limbs to make for two and a half characters felt like it took forever, even though it only actually took about two and a half times as long. Worth it, though; I’m pretty happy with the results.

Also, to save you some counting: eight.

The Element Of Air

click thumbnail for full NSFW image

Rub bottle furiously for genie. If no genie is in the bottle, one will be drafted. Aim with care.

Last week, I opened up for a few commissions to try and rebuild my work habits. This is one of them. The request was to focus on the precise moment of transformation from “fox” to “fox genie”; I of course went for a certain amount of animation smear stylization and multiple images because that’s how I tend to think. And enjoyed being cheerfully cartoony and suggestive because that was sort of the whole point of doing some commissions.

I’m pretty happy with how quickly this one came together. I used some of the same methods I’ve been exploring in my comics, and was able to take advantage of prior art – I’ve draw Peganthyrus a lot before, and Phorm multiple times, so I could just open up previous drawings as graphic style libraries and skip a lot of setup. And skip a lot of fiddling with stuff in the drawing process; if I ever start giving my little Illustrator For Artists 101 talks at cons again, I really need to amend it to talk about how useful graphic styles are.

(My work habits seem to be coming along, too. I’m actually getting up and making a to-do list in the morning again, which helps a ton. Even if I don’t always get to everything I write down.)